Sudden Fear (1952)

TOMATOMETER

——

AUDIENCE SCORE

Critic Consensus: No consensus yet.

Sudden Fear Videos

Sudden Fear Photos

Movie Info

Joan Crawford portrays a successful, independently wealthy playwright who fires struggling actor Jack Palance from her latest production. Eventually she and Palance kiss and kiss and kiss and make up, which leads to marriage. One day, Crawford turns on her dictaphone, only to hear the voice of Palance plotting her murder with tartish Gloria Grahame. But Crawford isn't a celebrated playwright for nothing; she takes to her typewriter and concocts a scenario that will hoist Palance on his own petard. There's a notably suspenseful climax, but Sudden Fear is so strident at times that it looks like a Carol Burnett Show parody.
Rating:
NR
Genre:
Drama , Mystery & Suspense
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:

Cast

Joan Crawford
as Myra Hudson
Jack Palance
as Lester Blaine
Gloria Grahame
as Irene Neves
Bruce Bennett
as Steve Kearney
Virginia Huston
as Ann Taylor
Mike Connors
as Junior Kearney
Touch (Mike) Connors
as Junior Kearney
Show More Cast

Critic Reviews for Sudden Fear

All Critics (6)

No excerpt available.

Full Review… | March 25, 2009
Variety
Top Critic

No excerpt available.

Full Review… | October 30, 2006
New York Times
Top Critic

No excerpt available.

Full Review… | June 23, 2006
Time Out
Top Critic

No excerpt available.

Full Review… | December 31, 1999
Chicago Reader
Top Critic

Joan Crawford won her third and last Oscar nomination for this well executed noir thriller, featuring Jack Palance in a scary performance.

Full Review… | July 23, 2012
EmanuelLevy.Com

At 110 minutes, the film is far too long and plays as much as melodrama as it does noir. But all three actors turn in top-notch work and make the film worth a look.

Full Review… | November 16, 2011
Combustible Celluloid

Audience Reviews for Sudden Fear

crazy crawford vehicle that verges on camp at times but hang in there for the explosive climax!! also featuring sleazy jack palance and gloria grahame. good stuff

Stella Dallas
Stella Dallas

Super Reviewer

"Sudden Fear" is not much more than an ordinary thriller, but it is directed and acted so perfectly that it is uniquely gripping and satisfying. Its stars, Joan Crawford and an alarmingly young and studly Jack Palance, both won Oscar nominations for their work in the film. Not many thrillers can say that. Director David Miller may have had a lackluster career overall, but he was in top form here. Crawford plays a highly successful playwright, Palance a struggling actor trying to get a part in one of her plays. The two eventually fall in love, marry, and move to her native San Francisco, despite a fairly significant age difference. The movie plays like a delightful love story until a shocking turning point morphs it suddenly into a film noir. I won't reveal the details and ruin the surprise. I'll just say that you'll be on the edge of your seat every minute, and the emotional shock that Crawford's character undergoes you will feel deeply.

William Dunmyer
William Dunmyer

Super Reviewer

½

poetic justice is a common term in ancient greek drama as ""virtue is ultimately rewarded or vice punished, often in modern literature by an ironic twist of fate intimately related to the character's own conduct."" (wikipedia). vintage noir pictures, under he surveillance of morality code, are also required to have the villain punished in the end despite its skeptism toward the decarmation of the good and evil within human nature. when it comes to joan crawford's "sudden fear", POETIC IRONY would be the term i consider apt for its spirit. a broadway female playwright (joan crawford) fires an actor on stage, who is casted as the lead in her newly written play because she considers him somehow insincere, and too slick for the romantic hero of his play. ironically, later she falls head over heels in love with the actor she fires when she bumps into him on the train. thus he becomes the love of her life, her lawful husband. the man even swoons her over his feet by lyrically reciting the quotes of her play.BUT unexpectedly she discovers that he schemes to murder her to get her inheritance because her recording phonograph accidentally tracks down his private conversation with another woman, and the heart-aching truth is that he never loves her for one second! (it's like, if you could discern immediately that this man is dubiously sleek for the drama-play but in real life, you're gullible enough to be tricked by the same routine without ruminative second thought!) but, dismayed as she is, she carelessly ruins the only evidence to prove his murder-scheme against her. therefore, she has to do some precautionary acts for survival and also to entrap this pair of cuckolds into the righteous course of poetic justice...as for what she will do, that's the most fascinating part of the movie as crawford performs the ultimate fury conflicted by her self-contradictive conscience. "sudden fear" also has some perverse forms of sexuality rendered thru sadomascohistic inneundos between the interactions of jack palance and gloria grahame who are the adulterers, such as "i love you so much that i could break your bones" (an eerie expression of love, isn't it?)..in one scene, man inflicts some physical violence to the woman by pushing her off to the coach meanwhile threatening her that he would disfigure her face if she reveals his dark secret, but oddly the woman responds cheerfully "thank you, thanks a lot...for still loving me" while igniting a cigarette. (code of sex in the old noir, whenever you see man and woman light off cigarette for each other, that means they're intermingled in sex since noir thrived after the 1934 morality code. sex had to be suggested thru various gimmicks) one last good picture of joan crawfood in her final comeback in 1950s when film noir was about to be obselete due to the bloody maccarthyism. crawford is the only actress hard-boiled enough to pull off the position of sap in noir piece. (maybe bette davis could as well, but miss davis' movies turn out to be melodrama much more often than noir)...great pop-freudian-ism illustrated by expressionistic cinematographies, such as the sequence of crawford having nightmares about her husband trying various brutal ways to kill her off....isn't it great? when the world is artfully presented in the dichotomy of black and white, when the talented elites still give a shit to psychoanalysis and glorifies it thru various forms of avant-garde craftsmanship like noir for one example. that was before noir became a nostalgic product for blank parody and immitations...

Veronique Kwak
Veronique Kwak

Super Reviewer

Discussion Forum

Discuss Sudden Fear on our Movie forum!

News & Features