Summer in February (2014) - Rotten Tomatoes

Summer in February (2014)

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AUDIENCE SCORE

Critic Consensus: It boasts beautiful scenery, but in every other respect, Summer in February is a painfully bland period drama.

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Movie Info

A sweeping romance set at a bohemian artist colony on the picturesque coasts of pre-war England, SUMMER IN FEBRUARY is based on the true story of painter Sir Alfred Munnings (Dominic Cooper, MAMMA MIA!, MY WEEK WITH MARILYN) and his blue-blood best friend Gilbert (Dan Stevens, "Downton Abbey"). Born into a working-class family, Munnings rises to become one of the premiere British artists of his time, winning the affection of aristocratic beauty Florence Carter-Wood (Emily Browning, SLEEPING BEAUTY). But when Gilbert falls for Florence as well, a love triangle emerges with tragic consequences. (c) Tribeca

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Cast

Dominic Cooper
as Al Munnings
Emily Browning
as Florence Carter-Wood
Dan Stevens (IV)
as Gilbert Evans
Hattie Morahan
as Laura Knight
Shaun Dingwall
as Harold Knight
Max Deacon
as Joey Carter-Wood
Nicholas Farrell
as Mr. Carter-Wood
Michael Maloney
as Col. Paynter
Camille O'Sullivan
as Gypsy Woman
Jane Cussons
as Birdwatcher
Daphne Neville
as Birdwatcher
Seth Lakeman
as Fiddler
Show More Cast

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Critic Reviews for Summer in February

All Critics (38) | Top Critics (6)

It's sad when a movie that aspires to tell a sad, even tragic, story can't quite connect, and lies there inert on the screen instead of galvanizing or even stirring emotions the way it means to.

January 17, 2014 | Rating: 1.5/4 | Full Review…
RogerEbert.com
Top Critic

Compared with the tepid contretemps of "Summer in February," the soap-opera theatrics of "Downton Abbey" have the depth of Chekhov.

January 16, 2014 | Full Review…
New York Times
Top Critic

Cooper stomps around ineffectually, Stevens makes for a blandly tame suitor, and Browning is unable to ignite any chemistry with either. The scenery is stunning. But the swooning has all the heat of a midwinter's swim.

January 16, 2014 | Rating: 2/5 | Full Review…
New York Daily News
Top Critic

A ceaselessly bland take on the famed Lamorna artists' colony in Cornwall, circa 1911.

January 14, 2014 | Full Review…
Village Voice
Top Critic

Blah Britpic offers scenery but little else.

January 14, 2014 | Full Review…
Hollywood Reporter
Top Critic

A poor script and patchy performances drag down this Edwardian-era drama.

January 14, 2014 | Full Review…
Variety
Top Critic

Audience Reviews for Summer in February

½

In 1913, young society girl, Florence (Browning), arrives at an artists' colony in Cornwall, hoping to develop her painting skills. There she falls for the abrasive and arrogant painter, AJ Munnings, who is tolerated by his friends purely because they consider him a genius (he's subsequently become known as history's best painter of horses). Munnings' friend, Gilbert Evans, is cut from an entirely different cloth, a shy, reserved former soldier. Evans falls for Florence but keeps his feelings to himself and, when Munnings proposes to the girl, she accepts. Once wed, however, Florence begins to realize she may have made a bad choice. In Woody Allen's 'Sweet & Lowdown', Sean Penn portrays the world's second best guitar player ("there's this gypsy in France"). Like the painter, Munnings, he's gruff and conceited, his sociopathic attitude only rendered permissible by his talent. The only girl who can truly fall for him is a deaf mute, played by Samantha Morton. Oblivious to both the beauty of his chords and the horror of his tongue, only Morton's character can accept him without prejudice. Florence has no such disability, and therefore no such excuse, for accepting Munning's belligerence. Even her Father disapproves of the marriage, which makes her putting up with Munning frustrating to watch. The writer, Jonathan Smith, (adapting his novel), tries to paint (pardon the pun) Florence as a tragic figure, but she instead comes off as a victim of her own making. The movie's first half takes great pains to build up the idea of Munnings as some kind of monster but, in the post-wedding second half, Florence's paranoia and possessiveness garner audience sympathy towards the pugnacious painter. She accuses him of acts we never actually see him commit, which makes her come across as little more than an unreasonable harpy. With copious full-frontal nudity from its young female stars in the opening half hour, 'Summer in February' begins like a homage to the sort of soft-core porn continental Europe churned out during the seventies. Those movies always seemed to feature an innocent young girl seduced by an older, worldlier artist, usually a painter or photographer who she would conveniently pose nude for. Even the outdoor scenes are photographed with a similar "Vaseline on the lens" aesthetic. These alfresco moments are handsomely mounted but, when indoors, the movie resembles those production line period dramas British TV networks are so fond of. If you're a fan of the likes of 'Downton Abbey', this will probably satisfy your tastes. For the rest of us, watching 'Summer in February' is a bit like posing for an artist for two hours only to be shown a picture of a turnip when the canvas is revealed. The artist is probably satisfied with himself, but it's not exactly what we paid for.

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