The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
An unceasing torrent of CGI explosions, destruction and superhuman Kryptonian combat, Man of Steel is more bang for your summer movie buck, but would there was magic and spark to go along with all that muscle.
The movie is so jam-packed and busy that it's essentially an origin story, a coming-of-age story, a science fiction film, a superhero movie, an alien invasion, and a disaster movie all bumping into each other.
Man of Steel proves a Saturday afternoon B movie remains that no matter how big the budget or how much CGI work is done. It's in the film's DNA - the screenplay ... it sinks under the weight of its own overheated, overstated cinematic fat suit
I like this latest version of Superman. I was expecting a darker, more depressing movie with the sado-masochistic overtones, of say, the recent Batman movies. Thankfully, this superhero movie is more upbeat than I expected.
While expertly rendered by the film's army of special effects artists, the violence feels simultaneously bloated and empty, yet another exercise in wide-scale cinematic decimation without any sense of humanity or the weight of its loss.
An occasionally exciting, intelligent and visually impressive sci-fi adventure with a fine cast. It is also frequently excessive and over-produced, but then what else should one expect from a summer blockbuster?