Sweet Sweetback's Baadasssss Song - Movie Reviews - Rotten Tomatoes

Sweet Sweetback's Baadasssss Song Reviews

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January 18, 2013
The first black director to break into commercial cinema, Van Peebles obviously feels deeply about black oppression. But he has chosen, paradoxically, to make the kinds of unrealistic films for which blacks have justly criticized white film-makers.
August 4, 2007
However you slice it, the original movie just isn't very good.
Full Review | Original Score: 3/10
November 28, 2004
"Song" broke ground for minorities, not for filmmaking
Read More | Original Score: 2/5
September 19, 2004
Melvin van Peebles' blaxploitation 'classic' still doesn't fare well by either artistic standards or simple good taste, but any student of the genre is well advised to check it out.
| Original Score: 2/5
May 21, 2003
Instead of dramatizing injustice, Van Peebles merchandizes it.
Full Review | Original Score: 2/5
July 26, 2002
Read More | Original Score: 4/5
March 26, 2009
Most of the many vignettes are absorbing in themselves, notably an encounter with a white motorcycle gang.
June 24, 2006
Totally uncompromising and grindingly repetitive, the film nevertheless accumulates a kind of hallucinatory groove, with unexpected shafts of bizarre humour and vigorous, experimental new wave direction.
February 29, 2008
Read More | Original Score: 4/5
October 10, 2003
Read More | Original Score: 4/5
February 18, 2003
It is style, glamour, and even virtuosic direction (in the inclusive use of so many familiar techniques) that paves Sweetback's value as a timepiece - its lasting, testimonial contribution is its position as the first of its kind.
March 15, 2005
Even 30-odd years on, the picture still has more than a whiff of rebellion about it.
February 3, 2002
a revolutionary movie not because it's about one man's defiance, but because it put front-and-center black issues that had never been dealt with before
Full Review | Original Score: 3/4
August 19, 2005
Read More | Original Score: 4/5
March 13, 2007
A shrewd and powerful mix of commercial ingredients and ideological intent.
March 13, 2007
A landmark in Black filmmaking in the U.S., this angry, extravagant, loud, belligerent movie reaches a high pitch early on and stays there.
Full Review | Original Score: 4/4
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