Swimming Pool (2003)
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as Sarah Morton
as John Bosload
as Marcel's Daughter
as First Man
as Second Man
as Waitress at Cafe
as Old Man
as Terry Long
as Lady on Train
as Sarah's Father
as John Bosload's Secretary
as Pub Barman
Critic Reviews for Swimming Pool
Ozon simultaneously manages to make his film lazily sexual and crisply suspenseful.
Two parts psychological thriller and one part pretentious French art-house head-scratcher that leaves you mumbling, 'Duh.'
Swimming Pool offers something few other movies this summer can match: A dreamy, intoxicating sensuality.
The story occasionally wanders, but Swimming Pool is definitely worth a dip.
A delectable and daring psychological drama.
Audience Reviews for Swimming Pool
An absorbing and highly stimulating film that intriguingly dissolves the barrier that separates reality and fiction to tell a strange story about that point of an artist's creative process when she has to search inside herself to reach that sparkle of inspiration that eludes her.
An author vacations at her publisher's French summer home and meets his daughter, a brazenly promiscuous young woman who becomes the subject of her new novel. Ludivine Sagnier sizzles every moment she's on screen, but Charlotte Rampling, who always seems to be troubled by some hidden existential quandary, fizzles. The story is far from interesting, and it's only Sagnier's allure that keeps our attention on the film's characters: after all, when we boil this story down, it's merely about a woman briefly seduced by youth. The end. The third act is mostly senseless, and the final reveal is "senseless-er." Overall, maybe it's only Sagnier's eyes and body and charm and eroticism that kept me interested in the film, but that's good enough for two stars.
A stylish but ultimately somewhat disappointing exercise in writing, insanity, and the strain two very different people encounter living in the same vacation home. Think "The Odd Couple", only darker, nuder, and much more slower-paced, the film's overall style and masterful performances really help make somewhat mundane material watchable. Rampling is especially impressive as a writer trying to find inspiration for a new story, and maybe finding that in the town whore (Ludivine Sagnier), who just happens to be her publisher's daughter living with her for the time being. The ending does have a twist to it, although it is not as creative and mind-boggling as it thinks it is (I had two theories as to how it was end, one of them was right). Still, director Francois Ozon's feel for the camera and space is irrefutably remarkable, and the only thing that keeps this thing from being watchable is a near third-act collapse and a finale that is predictable. Still, not a bad film at all, probably worth watching if you are a French-art film fan.
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