The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The movie presents its premise in a somewhat intriguingly unprepossessing way, but abandons any deeper exploration of its crisis of faith or, indeed, just human existence -- all to hopelessly middling effect.
Once we get to the trial that kind of dominates the later part of the movie, I think it comes back and it refocuses on this dynamic between Thornton and Ruffalo who are incedently really good together.
Mark Ruffalo is one of the best actors of his generation, and I'd like to be able to say that, with his directorial debut, Sympathy for Delicious, he's one of its best filmmakers, too. Alas, this semiexpressionist fantasia is a botch.
These characters may serve an obscure metaphorical agenda, but they make no psychological sense. And as the movie contemplates the rewards and perils of giving and receiving, it winds itself into stomach-turning knots.