Sympathy for Lady Vengeance - Movie Reviews - Rotten Tomatoes

Sympathy for Lady Vengeance Reviews

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October 8, 2017
I enjoyed it because of the theme and the general feel of the movie. It was dark and it made you feel hollow. It was entertaining to watch. It wasn't the best movie I'd ever seen but it felt unique compared to many other movies. The directors style is very noticable.
½ September 6, 2017
Full of secondary meanings and symbols, flashy, stylish and gruesome, not as amazing as Oldboy but a very fitting ending to the Vengeance Trilogy.
July 24, 2017
Park Chan-Wook plays with his audience like he's slowly pulling the legs of an insect. Everyone thinks it's nasty and horrifying but can't help but watch. He pulls a leg off one by one watching this insect squirm and try run. He has ripped apart every leg and the insect just sits, waiting for inevitable strike that will put it out of its misery, yet Wook-Park doesn't do anything. He just sits, quietly and makes his audience look at the insect struggle for life, it's only when his audience gets closer he smashes his hand down upon the insect obliterating it, and he walks out the room, laughing until he's distant. His audience can't move, they look at the remains, stand and stare. Tears in their eyes, jaws dropped.
½ April 12, 2017
Whilst this film doesn't quite scale the same heights as Oldboy, it does have its own uncompromising style, and is a fitting end to a solid trilogy. It is a definite improvement on Sympathy for Mr. Vengeance, with a whole host of likeable and well-crafted characters, an action-packed and engaging plot with a great feminist twist, along with Chan-Wook's signature lush visuals.

The film plays out at a blistering pace. Lee Geum-ja has spent 13 years in prison - continuing Oldboy's theme of incarceration, with Choi Min-Sik even appearing in this film - for a crime she did not commit. Her plan to get revenge is to play an angelic figure in her prison life, using her famous good looks and kindness - which earnt her the title 'Kind-Hearted Geum-Ja' -, as well as her ingenuity to get out of prison early. Once out, she then aims to exact her revenge on Mr. Baek, played by Min-Sik, who prayed on her childish vulnerability to make her confess to a murder he committed. The film is sleek and suave, with style and finesse to spare. Importantly, it treats its characters with respect, showing montages displaying the allies Geum-ja made in prison, along with their unique character traits and personalities. It goes for a less serious, bleak tone, instead opting for playfulness, at least until the finale. At last, we get a film in this trilogy with levity! The humour may still be dark, but this is in a more Tarantino-esque manner.

My only real issue with this film is the ending. Mr. Baek kidnapped children for ransom and then killed them, and their parents are brought together by Lee Geum-ja, as she wants to be morally cleansed after failing to stop the crimes of Baek. They decide to all torture and eventually murder Baek, who they now ironically have hostage - this continual shifting of power recurs throughout the trilogy -, instead of turning him over to a justice system that they see as being too lenient on such an evil man. This should be an incredibly fast-paced, erratic and cathartic scene, one which allows the parents to let out their pent up emotions. This would have been more in keeping with the film's pacing and playfulness. However, instead we get a slow and tense sequence. This is effective in its own way, as it feels real and visceral. However, it isn't quite in keeping with the film's tone or a satisfying enough revenge, as Baek was such a cruel, heartless character. It isn't the ending this film needed or deserved, and left me feeling slightly disappointed and frustrated.

This film is entertaining, funny, tense, and sad all at once, and is wholly original. The use of girl power also makes a nice change in a trilogy where men had previously been the dominant figures. It doesn't evoke quite the same levels of raw emotion as Oldboy, but does not taint Chan-Wook's overall vision. It is a worthy end to a trilogy which whilst good, is not overall quite the cinematic landmark it's made out to be. It is however, still well worth a watch. Chan-Wook is a talent who will be around for a while, and there's still something worthwhile in his lesser efforts.
½ March 13, 2017
My sympathy for everyone who liked this film.
January 11, 2017
An easy watching movie, with a brilliant outcome. Lee Young-ae make it even greater.
½ January 5, 2017
Korean film week continues. The Only one of Park's 'Vengeance Trilogy' I'd not seen and it's my favourite by a long way. The final act is as poignantly satisfying as any I've seen for some time. Amazing.
½ December 27, 2016
Felt like the climax hit at the half way point and the rest of the film felt like a slow deflation. Cool character though with the eyeshadow and jacket.
September 29, 2016
Beautifully shot alongside an exquisite score.
September 25, 2016
A must see, but is not for everyone
½ September 14, 2016
If Sympathy for Mr. Vengeance was for Boys, Sympathy for Lady Vengeance is for girls. A Korean Kill Bill will always wear high heels. It starts as fun characters' introductions an ends with a black and white performance. I loved all the main guys in the Vengeance trilogy was present, tho the only thing that lacked Park Chan Wook in this final installment was the twists and turns to make it storywise.
½ August 5, 2016
Not very solid, but emotional and interesting.
July 5, 2016
3.7/5

Chan-Wook Park should probably know by now that what keeps a movie interesting can go much further than just the setting or the querkiness of its first half, but as the movie progresses everything makes much more sense and it is easier to actually give a crap about a revenge story that takes a while to actually know why the desire exists in the first place.
May 25, 2016
Le cinéma cinéma sud-coréen n'as plus grand chose à envier à celui d'Hollywood tant on y retrouve des oeuvres de qualités et Sympathy for Lady Vengeance est tout simplement excellent. Par le réalisateur d'Old Boy (la version originale) ce film est aussi brutal que fantastique avec une solide performance de l'actrice principale Lee Young-ae
February 26, 2016
Beutifully edited, nicely expressed movie. But there are too much jokes in the movie that I don't like. The colors are the very motives to get the movie on.
½ February 23, 2016
Perhaps the strongest and most beautiful movie from the revenge trilogy. Acting, storytelling and directing, everything is superb.
Super Reviewer
January 26, 2016
It annoys me when Chan-wook Park and Asian extreme cinema is compared to Quentin Tarantino all the time. It's a lazy and poor comparison. Chan-wook Park is a maestro rather than a disc-Jockey, he proved it with Oldboy and backed it up with Lady Vengeance. Revenge films are pretty frequent these days, Chan-wook Park is one of the very few directors who have a fresh take on the genres - and he's now done it three times! Slick, stylish, controversial and original. A great film.
½ December 3, 2015
Lady Vengeance is a powerful movie which starts just like any other movie. With flashbacks which introduces new characters. Then it starts making a shape which is not much different then many of the revenge movies. However, it really gets interesting during last half an hour. Revenge for yourself is not enough, let other serve this dish at the best of the time. Yet it finds little comic moments. There are some questions which are left unanswered as is the ending confusing but it is very satisfying with it's climax which is brutal yet clean and impressive. Most powerful of all the the direction and acting. Every one on screen has been marvellous. Cinematography also needs a mention so does the editing. Background score is very experimental and could be held single mean of amusement in the movie.
November 1, 2015
Brilliant and sad. Lady Vengeance is a brilliant and apt ending for the Vengeance trilogy...however, it does not live up to the greatness of the first 2 installments.

First the majority of the movie I felt nothing at all for the main lead. She was portrayed as a killer, and yet always claimed her innocence. She was part of a conspiracy that lead to the death of a child, yet claimed it was basically OK because it wasn't her fault. Then when we are in the small room with her, the families of the victims and the videos of the deaths of the children are played. It all changes.

We feel for her pain, but also empathize because she wants the families to have their vengeance too. Even though she wants them to actualize the vengeance for her, I could easily connect with this character and the families.

They symbolism of the white cake was wonderfully done.

I am left happy overall with the Vengeance trilogy, especially as the redemption of the main lead brings the vengeance to a halt. There is no more vengeance to be had. The families are whole and can move on knowing the proper killer is now 'removed', and she can now spend time with her daughter.
October 10, 2015
Revenge of Lady Vengeance just got sweeter, more beautiful and bold in comparison to the Mr. Vengeance. While Park's previous works are more subtle or slow in revealing it's revenge plots, this waste no time in doing so. While I find it's visually more stunning, yet the idea of revenge is not as new and thought-provoking than Oldboy. Nevertheless, still a grand finale to Park's "Revenge" Trilogy
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