Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (28)
| Top Critics (10)
| Fresh (23)
| Rotten (5)
| DVD (1)
Jeong's evocative visuals of the urban landscape and her savvy deployment of appliances only deepens the resemblance such stories have to our own lives.
The problems and characters it reveals are universal and involving, and the film itself -- as well its delightful cast -- is so breezy, pretty and gifted, it really won my heart.
Jae-eun Jeong's Take Care of My Cat brings a beguiling freshness to a coming-of-age story with such a buoyant, expressive flow of images that it emerges as another key contribution to the flowering of the South Korean cinema.
A captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless age.
Take Care is nicely performed by a quintet of actresses, but nonetheless it drags during its 112-minute length.
The episodic film makes valid points about the depersonalization of modern life. But the characters tend to be cliches whose lives are never fully explored.
Jeong Jae-eun pens and directs a very tender film, which is presented as an entry in the coming-of-age category, but actually uses the five girls to communicate her sociopolitical messages. The film however, functions excellently in both levels
Jeong's women often interact via cell phone messaging, and one of the film's primary themes arises in the way contemporary relationships exist through wireless communication.
["Take Care of My Cat"] is an honestly nice little film that takes us on an examination of young adult life in urban South Korea through the hearts and minds of the five principals.
The film engages with the divergent paths taken, linked by childhood friendship and a mewling kitten, but a third act event is presented so abruptly it confuses the viewer until it rebounds somewhat with a satisfying closure.
The film wasn't preachy, but it was feminism by the book.
The level of maturity displayed by this 33-year-old first-time feature director is astonishing, considering her inexperience and her subject matter.
Multidimensional, coming-of-age drama about the evolving friendship between five female high school friends in the port city of Incheon, Korea who have high hopes of staying close but the harsh realities of work, family, and finding their place in the world get in the way while keeping in touch as best they can.
The film wins points for avoiding all of the contrived dramatic pitfalls such as the three act, there-must-be-conflict, grab-your-hankies structure, and instead simply lays out its events and characters with no grand tearjerker scenes or emotional cliche's. One of the most interesting things of the film is the major role given to cell phones in the characters' lives and the way text messages are displayed during the film. The cat in question is a birthday gift that is quickly returned because one of the girls doesn't have time for a pet, so the cat is passed from friend to friend.
A refreshingly touching film about friendship which doesn't turn all sappy and cringeworthy. Highlights the division of friends as they adapt into adulthood with a lot of spirit and a slow paced but enticing script. Wonderful performances bring the characters and their relationships alive. Beautifully done.
There are no approved quotes yet for this movie.