The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The overall effect is disturbing yet mesmerizing; most of the movie takes place in the radio studio while the hero is on the air, and the moral questions raised by his incendiary brand of broadcasting are left provocatively open.
Not to put too fine a point on it, Bogosian is prickly, irritable, alienating and overwhelming. Underwhelming, however, is the way that director Oliver Stone has taken monologuist Bogosian's intimate Off-Broadway play and "opened it up."
Stone's hyperkinetic direction keeps you riveted. He stalks every move Champlain makes around the studio as he revs up bigots, druggies, sex fiends and religious fanatics whom he then viciously puts down.
The voice-in-the-dark hysteria comes no less out of Stone, seizing the success d'estime transplant for the personal, even confessional, quandary of the anguished truth-teller in the end engulfed by the system.
Bogosian commands attention in a patented tour-de-force. Supporting performances are all vividly realized, notably Michael Wincott's drug-crazed Champlain fan invited to the studio for a tete-a-tete with the host.