The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
if Travis is a contradiction, then so is the Vietnam-era United States in which he walks and drives - a schizophrenic environment where violence is always bubbling beneath the surface of dignity, decency and democracy.
As with John Wayne's Ethan Edwards (Travis's spiritual forefather), his thwarted patriarchal possessiveness is not tempered by anything like genuine concern, yet it is enough... to make him a peculiarly American folk hero.
A masterpiece, perhaps the masterpiece, of American loner-ness, a portrait of a psycho as a young man. Scorsese's interest in raging bulls and New York City wolves would return, but his fifth fiction-feature remains his magnum opus.
De Niro ... manages to be as sad as he is frightening. From his general discomfort with others and his feeble attempts at communication, it's possible to recognize the root cause of Travis' inner distress as a terrible longing for approval.
[VIDEO ESSAY] So much of American popular culture, and modern Cinema's urban aesthetic, owes a debt to Martin Scorsese's groundbreaking fourth feature film that it is impossible to imagine a world without "Taxi Driver."