The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Kiarostami is nothing if not patient, almost to a fault here. He allows life to happen as the film rolls, and one can't help but wonder if, to cover a lot of emotional ground, you must also cover a lot of asphalt.
Ten may be the director's first noticeable misstep, one that won't be accessible to those unfamiliar with Kiarostami's body of work and also maybe underwhelming to his fans. Still, it might be a misstep worth exploring.
Who would have thought a movie centered on a driver and her passengers that never leaves the car could be so compellingly watchable? Ten is not only a fascinating character study, but a portrait of an entire way of life.
Abbas Kiarostami has created, for all of its filmic simplicity - static camera, minimalist settings and obviously from the hip filmmaking (you can watch as the curious drive by the lady's car and rubberneck) - has created a nicely complex character study