Teorema (Theorem) Reviews

October 23, 2007
The narrative, almost silent in the first half, is unusually clear for a film by Pasolini. Performance by all members of the cast are praiseworthy, though Stamp dominates the first half and Betti, the second.
February 9, 2006
What would be pretentious and strained in the hands of most directors, with Pasolini takes on an intense air of magical revelation.
May 9, 2005
The movie itself is the message, a series of cool, beautiful, often enigmatic scenes that flow one into another with the rhythm of blank verse.
October 23, 2004
I don't feel ready to write about this mysterious film; perhaps, a week from now, I'll decide it is very bad, a failure. But perhaps it is the most brilliant work yet by that strange director, Pier Paolo Pasolini.
January 1, 2000
Apart from his final feature, Salo, this is probably Pier Paolo Pasolini's most controversial film, and to my mind one of his very best.
July 18, 2018
A very extraordinary piece of work.
April 14, 2013
Arguably Pasolini's most finely wrought work, an allegory bringing together his central preoccupations with politics, sexuality, society, art and the irredeemable inauthenticity of bourgeois life.
April 12, 2013
The film, made in 1968, was provocative then and remains so now. But it doesn't elucidate its ambivalent moral secrets easily.
April 11, 2013
It is as if Pasolini has imagined how Italy's bland, complacent, stagnant governing class could be blown wide open: like putting a hundredweight of dynamite in the San Andreas fault.
April 9, 2013
Pasolini creates an ethereal mood - and Stamp, smiling ineffably,has never been better.