Tetsuo: The Ironman

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Average Rating: 3.8/5

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Movie Info

An hour-long feature from Japanese director Shinyu Tsukamoto, Tetsuo (also known as Tetsuo: The Iron Man) tells a horrific, cyberpunk-influenced science fiction tale about the intersection of man and post-industrial technology. The central character is a Japanese salary man, an average office worker who is transformed by a brief encounter with a metals fetishist, a man who has purposefully implanted pieces of scrap metal in his body. The salary man soon begins sprouting pieces of metal from various parts of his body, a change which is accompanied by increasingly nightmarish visions and bizarre, metal-filled sexual fantasies. As the man evolves into a strange hybrid of man and machine, he also develops a telepathic connection with another of his kind: the metal fetishist, who has been undergoing a similar conversion, and may indeed be the cause of the salary man's transformation. The two engage in a violent, destructive battle throughout the streets of Tokyo, accompanied by an appropriately industrial soundtrack. Shot on a small budget in 16 millimeter black-and-white, Tsukamoto reprised many of the images and plot elements of Tetsuo in a higher-budgeted sequel, Tetsuo II: Body Hammer. ~ Judd Blaise, Rovi

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Tomoro Taguchi
as Salaryman
Kei Fujiwara
as Salaryman's Girlfriend
Shin'ya Tsukamoto
as Young Metals Fetishist
Nobu Kanaoka
as Woman in Glasses

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Critic Reviews for Tetsuo: The Ironman

All Critics (13)

  • combines early Lynch's monochrome industrial landscapes, Cronenberg's body horror, Ballard's obsession with crashes and wounds, and Svankmajer's frenetic stop-motion oddity (and staccato editing), but it nonetheless remains a singular monstrosity

    Jun 16, 2012 | Full Review…
  • Sustained with satirical expressionism for indelible clamminess

    Sep 25, 2009 | Full Review…
  • Unquestionably it's a feat of imagination and technique, but an hour of it is more than enough.

    May 5, 2008 | Rating: 4/5 | Full Review…
  • Exercício surrealista histérico e obviamente ludita que, apesar de substituir as idéias pelo corte rápido, cria uma atmosfera de pesadelo sufocante.

    Jun 16, 2006 | Rating: 2/5
  • Filled with wild stop motion effects and brilliant conceptual horrors, this is a horror film for the modern technological world.

    Sep 15, 2005 | Full Review…
  • As a freak show..., Tetsuo certainly deserves its reputation. It contains memorable sequences of sickening imagination, and unique takes on tired sci-fi/ action ideas.

    Aug 30, 2005 | Rating: 4/5 | Full Review…

Audience Reviews for Tetsuo: The Ironman


Directors Cat
Directors Cat

Super Reviewer

Part man, part machine; Shin'ya Tsukamoto's 'Tetsuo The Iron Man' is the perfect allegory for the industrial world we inhabit. It tells the story of a salary man, who, upon hitting a metal fetishist (earlier seen inserting scrap metal into himself) begins the transformation himself from man to machine. Truly worthy of its avant garde classification, 'Tetsuo The Iron Man' is a testament to the originality that is unique to film and is an unequivocally intriguing and insane experience unlike any other. The artistic choices throughout the film give it a sense of uncontrollable madness, viewers are thrust into a black a white metal dystopia fraught with imaginative cinematography and visual, stop motion effects unlike any seen before. It's easy to occasionally feel lost during the film's 67 minute running time but that hardly takes away from the undeniable experience.

Cameron Sherwell
Cameron Sherwell

Super Reviewer

A man finds himself transforming, from the inside out, into a creature made of metal in this influential and gory experimental Japanese film. It's an almost nonsensical but extremely intense barrage of images of dehumanization; welcome to the machine age.

Greg S
Greg S

Super Reviewer

This is one hell of a visual assault on the mind! Full of bizarre and bloody depictions of bio-mechanical bodily transmutation as a man eventually turns into a metal mutant being. It's frenetically paced with surreal imagery and all filmed in black and white. There's hardly any dialogue though and the story leaves a lot of unanswered questions and you're left wondering just what is going on. Definitely not for the casual mainstream movie fan. It's disturbing and original and often credited with starting Japanese splatter genre. If you're into the weird and unusual this is a must-see.

Lee ?
Lee ?

Super Reviewer

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