The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The exiles of the title mean the Indians-exiled from their land and with no connection to the white-run city around them. The title also means us: anyone who has ever been trapped in a late-night city, caught by the neon's glare like a moth.
A fascinating hybrid of art and life, The Exiles may not hew entirely faithfully to literal truth but nonetheless conveys a form of artistic honesty that is inescapable. It's a mesmerizing marriage of poetry and prose.
The amateur actors, many of whom in reality met sad ends on those same streets, are utterly convincing. You have the sense again and again that you've unearthed a time capsule -- a sensation that cinema alone of all the arts can impart.
Mackenzie imposes no obvious attitude or mediating outsider's perspective on the material; he just presents it to us, a snapshot of an otherwise unknown culture, with details specific to its time and place.
Rife with astonishing black-and-white images of an unknown L.A. and clashing sounds of bars, cinemas and poker games, The Exiles is one of those movies that functions as both artifact and fresh discovery.
A cinéma vérité look at the rootless Native American community that once upon a time lived in Bunker Hill and hung out in downtown bars such as Club Ritz, this Kent Mackenzie film is a brooding picture of a darkly beautiful, long-gone Los Angeles.