The Arbor (2011)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Smart and inventive, The Arbor offers some intensely memorable twists on tired documentary tropes.

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Movie Info

Instead if making a conventional documentary or adapting Dunbar's play The Arbor for the screen, director Clio Barnard has crafted a truly unique work that transcends genre and defies categorization. Following two years conducting audio interviews with Dunbar's family, friends and neighbors, Barnard filmed actors lip-synching the interviews, flawlessly interpreting every breath, tick and nuance. The film focuses in particular on the playwright's troubled relationship with her daughter Lorraine who was just 10 when her mother died. Barnard re-introduces Lorraine, to her mother's play and private letters, prompting her to reflect on the extraordinary parallels between their lives. Interwoven with these interviews are staged scenes of Dunbar's play filmed on The Arbor, the street where she lived. -- (C) Strand
Rating:
NR
Genre:
Art House & International , Documentary , Drama , Special Interest
Directed By:
Written By:
In Theaters:
 limited
On DVD:
Runtime:
Studio:

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Cast

Manjinder Virk
as Lorraine
Christine Bottomley
as Lisa, Lisa Thompson
Manjinder Virk
as Lorraine Dunbar
Neil Dudgeon
as Steve, Steve Saul
Monica Dolan
as Ann Hamilton
Natalie Gavin
as The Girl
Robert Emms
as David Dunbar
Jimi Mistry
as Yousaf
Natalie Gavin
as Andrea Dunbar
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Critic Reviews for The Arbor

All Critics (46) | Top Critics (11)

Documentaries often toy with the conventions of non-fiction storytelling to the detriment of their content, but Clio Barnard's innovative The Arbor provides a welcome exception to the norm.

Full Review… | January 5, 2012
indieWIRE
Top Critic

Numerous celluloid experiments have fudged reality and fiction lately, but few are as formally inventive or socially revelatory as The Arbor.

Full Review… | January 5, 2012
Variety
Top Critic

For the morbidly curious, it's mesmerizing. But it's also a singularly watchable story for the strange, and strangely fitting, way in which it's told.

Full Review… | August 4, 2011
Washington Post
Top Critic

[An] exquisitely crafted docudrama.

July 21, 2011
Boston Globe
Top Critic

Barnard's boldest move is to unveil the irresponsible chaos of the playwright's private life, and to make us wonder if the art was worth the suffering, after all.

Full Review… | May 1, 2011
New Yorker
Top Critic

Brings the Dunbar story to life through a technique known as "verbatim theater," in which actors lip-synch testimony from the real people they're portraying.

April 27, 2011
AV Club
Top Critic

Audience Reviews for The Arbor

½

The Arbor may suffer a bit from following an uncomfortable line between documentary and drama but it is for the most part effective. We have some actual people from Andrea Dunbar's life and actors lip synching words from others. I don't know why we don't have those individuals on camera but it only hurts mildly. This film is less about Dunbar and more about her daughter Lorraine who's life can truly be pitied.

John Ballantine
John Ballantine

Super Reviewer

I'll bet you've never seen a documentary quite like "The Arbor." In this movie, ostensibly about the late playwright Andrea Dunbar, it has actors lip-synching testimony given by friends and relatives. But the story does not stop with her death, as it continues with her three children, especially the oldest, Lorraine, whose father is of Pakistani origin at a time when racism was particularly virulent. Actually, "The Arbor" is an incisive documentary about how much a person's life is defined by their environment and how they are raised. There is plenty of archival footage comparing the poverty strewn streets of Andrea's time to the present, along with scenes peformed outside there from one of her plays carried out in front of an appreciative audience. It was presumed by outsiders with the success she had that she would use it to escape but she never did make it out, spending much of her free time in the local pub. When it came to her three children, two would go on to live apparently stable lives. It is Lorraine that has the troubled life of tragedy, as sexual abuse is mentioned also.

Walter M.
Walter M.

Super Reviewer

½

Interesting if gruelling study of how 'grim up north' things can get. Novel use of actors miming spoken testimonies from the real people involved. Ken Loach minus the humour.

Gordon Anderson
Gordon Anderson

Super Reviewer

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