The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Coppola gives the events a bubbly potency, drawn to the attractive, greedy foolishness of the characters. They are, when it comes down to it, horrible, vapid people, yet the film doesn't view them purely as monsters, or as a sociological construct.
The Bling Ring is a comedy, a gentle (if thin) satire of fame-obsessed youths, and a canny probe into the ecosystem of LA's celeb culture and the weird influence it exerts on the rest of the population.
Five children-four princesses and a prince-run in gentle Angeleno night from enchanted castle to enchanted castle, gathering treasure-beads and raiment and gold and currency-spending themselves afterward on endorphins and coke.
Coppola's unflinching portrayal is social commentary disguised as teen fantasy, superbly photographed by the late Harris Savides and with pitch perfect acting, especially from Harry Potter alumnus Emma Watson.
To criticize that the script doesn't go deep enough is to get the point: with all that swag out there for repeat-offenders like Lohan, why shouldn't a girl walk up to an empty house and liberate its contents for the sheer joy of material possession?
The Bling Ring gives you the feeling that you can reach out and slap these zombified teens out of their apathy - unfortunately you're restricted to your seat and to your judgement - Coppola makes you work.