The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Ultimately not much more complex than the moment in which two children yell "I hate Hitler" across a lake, it imparts the message that Nazis are bad, books are good, and Geoffrey Rush would make a great dad even in WWII Germany
This extremely moving drama suggests the Holocaust story Ray Bradbury might have written: Events are seen through a child's eyes; books are shown to contain a healing, transformative power; and the supernatural is real, if symbolic.
Zusak's story is stirring, and it holds the film up during most of its predictable parts, but The Book Thief never rises too far above that. The narration from Death only serves to make it more like some sort of fantastical fairy tale.
Showing tragic events through a child's eyes can be a powerful storytelling strategy, but there's something altogether too cosy and bland about Downton Abbey director Brian Percival's handling of the material here.
It's certainly pretty to look at, reminiscent of those Disneyland parades where horses are much in evidence, but their excrement (thanks to neat little sacks attached to the creatures' nether regions) never soils the ground.
[Percival] certainly makes everything look pretty, although neither he nor Michael Petroni, who wrote the script, seem able to give the story a sense of momentum or tension, or even locate it in a world that's recognisably real.