The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Bret Easton Ellis's screenplay is filled with the worst kind of tin-eared dialogue and situations that seldom rise above their soapish base instincts, and in the third act, he clearly just gives up and turns one of his characters into Patrick Bateman.
With the pungent combination of a script from novelist Bret Easton Ellis, a performance by Lindsay Lohan and direction by Paul Schrader, The Canyons might have been a micro-budget sensation, but sadly it reeks of laziness.
Largely set to go down as an embarrassing footnote in the careers of both its screenwriter Bret Easton Ellis and director Paul Schrader - unless, by some miracle, it gains cult success for its awfulness.
...feels like a toxic kiss-off note to Hollywood, and the only thing I'm really wondering about is whether Lohan and Deen (and others involved in the production) are the director's collaborators or victims.
The weathered, wayward but undeniably talented Lohan, the poster child for Hollywood's indulgent lifestyle (frankly, it's sad that at 25 she already appears too old for the part), imbues Tara with a depth not evident in Ellis' script.