The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
If hindsight is 20/20, the amount of perspective the film's talking heads provide practically amounts to a telephoto lens. It provides a comprehensive and detailed telling of a long-term, complicated series of events.
The film, in some ways a primer on the perennial intractability of racial prejudice, clearly intends to be some sort of vindication of its five central figures. It succeeds in the first respect but falls wide of the mark in the second.
Burns and Co. once again nail the complexity of history with traditionally eye-opening results, yet The Central Park Five isn't quite as comprehensive as hoped, capping such profound pain with a few nagging question marks.
The Central Park Five takes one of the most sensational crimes of the late 20th century and strips the circus that followed down to its roots. The horrific attack in the woods on that April night 24 years ago was just the beginning.
The Central Park Five," the second best documentary of 2013, examines the case, placing in perfect context of what was happening in 1989 in NYC and how it led to evil both in Central Park and in the offices of the people trying to keep us safe.
Burns and company conduct a thorough, riveting investigation that does a far better job of assessing the tragedy than the justice system did two decades before. Of course, hindsight is an advantage we all take for granted.