The Cured (2018)
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It's not that writer-director David Freyne is incapable of finesse - "The Cured" has long and affecting passages marked more by sadness and melancholy than horror - but he seems to have misjudged the overtone here.
... a pretty good notion, though nothing comes of it because the first-time filmmaker, David Freyne, has so many undigested ideas on his plate-guilt, innocence, bigotry, forgiveness, atonement and, if you please, a replaying of IRA strife.
The confluence of rebellion, personal responsibility and genre violence never quite gels, perhaps because the realities of a zombie movie ultimately dictate where these things are headed.
Anyone digging through the cemetery soil again had better have fresh ideas. "The Cured," the debut feature from David Freyne, has roughly two.
Unfortunately, all of these factors fail to coalesce in the end, as the jumbled, manic finale builds to a messy implosion.
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