The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Dark Knight may mirror the ethical dilemmas & duplicities of the War on Terror, but it also offers a different, better way through them, with a seriousness that Bush & his clowns were never able to muster
Nolan has squeezed enough material for a saga into two and a half hours. The action moves insanely fast, the exposition is breathless, and the big setpieces practically tread on each other's heels. Down time doesn't exist in this film.
The Dark Knight is a clever, loud, technically brilliant film, superbly designed by Nathan Crowley and dramatically lit by Wally Pfister. Whether such a movie can bear the increasing moral weight imposed upon it is another matter.
The phenomenal The Dark Knight now reigns as the greatest superhero film of all time. From its exhilarating first frame to its bittersweet last, it sets a new standard for the genre -- and redefines what a summer popcorn movie can be.
Dark, mysterious and pulsating almost from start to finish, Batman's return to the big screen has set a new benchmark for the superhero film, leaving the plethora of recent comic book capers firmly in its wake.
It's too long and Nolan tosses in too many twists near the end. But it delivers ongoing adrenalin rushes, mental popcorn to chew over and a rich atmosphere to get lost in. And it's impressive enough to rank as summer's strongest blockbuster.