Mary Poppins Returns
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All Critics (30)
| Top Critics (4)
| Fresh (29)
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Kormakur's film suggests that the enigma of Gulli can somehow be found in his peasant humility, his connections to his community.
Even knowing the outcome ... doesn't diminish the intensity and awe of watching it recreated in this deftly framed docudrama by prodigious Icelandic auteur Kormakur.
Baltasar Kormakur's latest is a touching, low-key depiction of an incident in which a fishing boat sinks a few miles from shore.
Director Baltasar Kormákur filmed on an actual trawler, which he sank, and its authentic-looking scenes will leave you shivering and reaching for a cardy.
There's such a broody feel to proceedings; it's not realism as such, because there are mournful sequences where the fishermen disappear into the ether of the Atlantic Ocean.
Director Baltasar Kormákur has recently made several action films but this picture is slower and more deliberate, presenting a realistic depiction of the incident.
While filmed on the sea for the first half, the pic is powerful. Problem is when it goes ashore for the second half it loses some of its power.
...the film is rarely, if ever, as captivating as one might've expected and/or hoped.
Dedicated as it is to 'Icelandic fishermen', you'll never look at a fillet of prime cod in the same light again.
It's an unexpected but provocative direction by Kormákur, who's placed himself in exactly the right elements to make this masterful film.
[Gulli's] story's pretty remarkable. But this film achieves a real kind of lonely magic when he's bobbing on the waves under the night sky, talking to a gull.
A beautiful-looking tale of survival, which is both harrowing and uplifting in equal measure.
A film of two halves; the first gripping and involving, the second wandering and melancholic, and honestly it's a bit of a slog towards the end (though rooted in a true story, The Deep's sudden change in direction is never really successful). The lead performance is fairly bland but the excellent photography is a huge plus.
In 1984, a crew of fishermen set off from their small Icelandic island for what should have been another routine few days plying their trade in the North Atlantic Sea. This time however, their boat sinks, killing almost immediately, due to the freezing temperature of the water, every crew member except Gulli (Ólafsson), an overweight schlub. Gulli somehow manages to swim for six hours in the treacherously cold water, reaching his island and walking for another two hours before reaching reaching a house. When a doctor from Reykjavik watches Gulli tell his improbable story on TV, he takes him to a Royal Navy facility in London to conduct tests on how he survived an ordeal nobody else ever had.
Following his American debut, 'Contraband', Icelandic director Kormakur returns to his homeland to tell the story of one of that remote country's modern folk-heroes. In Iceland, to this day, the fisherman occupies the sort of mythical status held by the cowboy in America. These guys are held up as supermen, braving some of the world's harshest conditions in order to earn a meager wage. While celebrating this lifestyle, Kormakur also de-mythologizes it. The crew of the trawler Breki are shown as a bunch of poorly educated drunks who would arguably be still alive if they treated their occupation with a bit more professionalism.
The film is split in two halves, the first detailing Gulli's ordeal at sea, the second showing his baffling of scientists who fail to come up with an explanation for his unlikely survival. A confused Royal Navy doctor describes Gulli as having "seal fat", a rare moment of humor in this grim Nordic tale. This second half reminded me a little too much of the 'Simpsons' episode where Homer is discovered to be the perfect candidate for an astronaut, defying NASA scientists with his out-of-shape body's tolerance for extreme situations. When Gulli beats three Royal Marines in a freezing water endurance test, you can imagine Icelanders feeling an immense national pride at the fact that one of their out of shape drunks can beat the best the Royal Navy has to offer.
Feeling often like a gritty reworking of M Night Shyamalan's 'Unbreakable', 'The Deep' holds your interest but, honestly, it's really just because the actual story is so fascinating rather than any great story-telling on the part of Kormakur. Technically, like most Nordic productions, it's a technically impressive piece of work and very well acted. Over the end credits though, we see archive footage of the real Gulli which only makes you wish you spent the previous 90 minutes watching a documentary version of this story instead.
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