The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The challenge in describing the film is that it doesn't neatly fit into any pigeonhole. It's a serious movie that happens to have a sense of humor, because Payne and his collaborators see the absurdity in everyday existence.
The latest exhibit in Payne's careful dissection of the beached male, which runs from Matthew Broderick's character in "Election" to Jack Nicholson's in "About Schmidt" and Paul Giamatti's in "Sideways."
A tough, tender, observant, exquisitely nuanced portrait of mixed emotions at their most confounding and profound -- all at play within a deliciously damp, un-touristy Hawaii that's at once lush and lovely to look at.
[Clooney] is a movie star who can't shake (and doesn't want to, one suspects) the baggage of that good fortune, yet consistently works to blend into the ensemble for the sake of story. The Descendants gives us his most emotional work to date.
I can't think of another movie this year that made me laugh or weep harder for the whole lumpy business of being - the compromises and connections that get us through the day and somehow add up to entire lives.
It's worth seeing for the sharp but uneven human observations in the script and direction by Alexander Payne (Sideways), and sometimes it's fun (but mostly exasperating) watching George Clooney trying to act as he struggles through...
It's lovely - funny and sad and funny/sad in ways you can't always pinpoint, capturing both the perpetual Pacific island breezes and the unsettled interior lives of Hemmings' characters, chief among them the attorney played by George Clooney.
Great movies like The Descendants' don't only take an audience on an absorbing journey - in the hands of... Alexander Payne and a superb cast headed by George Clooney, you feel like you've come to know the characters' entire lives in the span of two hours.
You think you know exactly how this work-distracted father is going to reconnect with his daughters, and what obligatory moments the movie will provide, but both the script and the stars are too smart for that.
After his last feature, Mr. Payne was compared by some to Billy Wilder for his wit, and by others to Jean Renoir for his humanity. After this one I'd compare him to the man who made "Sideways." It's the highest praise I know.