The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The result is Nature seen through the eyes of a solitary and fanciful child with Jacquet intensifying the theatricality of it all by playing around with scale, amplifying every sound and raising the wildlife count.
The Fox and the Child is more than a wildlife documentary. It invites us to contemplate alternative worlds of sensation and experience, to enter the consciousness of other species, to explore our contacts with them.
There's plenty of scope for sentimental tears, but I hope most children will go away with something punchier - a longing to observe the natural world in this much detail, and a new respect for the difference between owning something, and loving it.
Jacquet's golden-hued cautionary tale is beautiful to look at. It's also accurate in the way the time frame of friendship unfolds, and is spot on in illustrating our tendency to anthropomorphise cute animals.
If, for example, Alvin and the Chipmunks is a children's movie, then The Fox and the Child is a children's movie for children who'd prefer to hang out at the local arthouse cinema than at the multiplex.
Gorgeously scenery and a virtually dialog-free script lends this film an almost fairy tale quality that makes the most of the astonishing camerawork. And this almost makes it bearable as it heads into a rather cloying finale.