The Girl Who Kicked the Hornet's Nest (2010)
Critic Consensus: Slow and mostly devoid of the stellar chemistry between its two leads, The Girl Who Kicked The Hornet's Nest is a disappointingly uneven conclusion to the Millennium trilogy.
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as Mikael Blomkvist
as Lisbeth Salander
as Annika Giannini
as Holger Palmgren
as Erika Berger
as Nils Bjurman
as Christer Malm
as Malin Eriksson
as Jan Bublanski
as Sonja Modig
as Monica Figuerola
as Peter Teleborian
as Hans Faste
as Dragan Armanskij
as Richard Ekström
as Evert Gullberg
as Ronald Niedermann
as Alexander Zalachenko
as Fredrik Clinton
as Torsten Edklinth
as Dr. Jonasson
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Critic Reviews for The Girl Who Kicked the Hornet's Nest
A more apt title would be 'The Girl Who Sat Quietly in a Dimly Lit Room'.
It's only our investment in these fascinating characters and in wholly unraveling the mystery of Lisbeth Salander's awful past that keep it compelling.
The Girl Who Kicked the Hornet's Nest is too akin to the tidying up of a television-series finale - albeit a very classy franchise with fine characters and able performances.
If you haven't seen the first two films, do so and then see this one. If you have seen them, chances are you're already in the ticket line. Hornet's Nest has such a sweet sting.
Audience Reviews for The Girl Who Kicked the Hornet's Nest
This final chapter is not as infuriatingly incoherent as the previous one, but still it is even less interesting, with little tension and few surprises. Besides, it also lacks that chemistry between the two leads, who are once again barely seen together.
Enjoyed, but definitely need to see the first two first. It is very long and can drag a little, but Lisbeth in court makes it all worthwhile.
The tale of Lisbeth Salander and Mikael Blomkvist concludes as Lisbeth is confined to a hospital bed but still the subject of investigation the ire of her psychotic half-brother. While I find this film a fitting conclusion to one of the best thriller trilogies in recent memory, as a stand-alone film, it doesn't do much but continue the trajectory of the second installment. The villains whom we thought were vanquished return in different forms. As a result, there's nothing new added to the story or the characters, and The Girl who Kicked the Hornet's Nest is a good film but ultimately unnecessary. This is especially true at the very end; I won't give away any specifics, but it's enough to say that I was left wanting a more satisfying conclusion to the connection that the first two films developed between Salander and Blomkvist. Noomi Rapace is Lisbeth Salander, the best actress for the part and a perfect embodiment of what the character projects, and the same can be said of Michael Nyqvist. I don't know if they're going to make an American remake of this film (I assume they are), but for all of Rooney Mara's talents, no one captures Salander's nihilism like Rapace. Overall, you should see The Girl who Kicked the Hornet's Nest to complete the trilogy, but don't expect anything approaching the first film.
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