Mary Poppins Returns
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All Critics (17)
| Top Critics (1)
| Fresh (15)
| Rotten (2)
Sometimes intriguing, sometimes faintly ridiculous.
The tension caused by John's is undoubtedly increasing, but [director Magnus] Von Horn knows how to manage it in such a way that the violent sequences are always unexpected. [Full review in Spanish]
Shooting in Scope, an aspect ratio more frequently associated with vast landscapes, [director Magnus] von Horn often confines the action to a fraction of the frame.
Von Horn plots cause and consequence with patient precision: his tale of crime, culpability and rough justice leaves a more lingering impression for it.
A film where Magnus von Horn built an overwhelming universe, observed by a distant camera that emphasizes the hardness of the behaviors and maintains neutral position about moral judgments and understanding. [Full review in Spanish]
A film where the director reflects on reintegration, sin and motivation, and returning to the same environments after a stage in the Juvenile Center. [Full review in Spanish]
A precise intelligent film, that explores the inversion of roles between victim and executioner, and has a claustrophobic and tense atmosphere. [Full review in Spanish]
The question of whether we can forgive or forget becomes central to a compelling story.
A rural community is asked to forgive a shocking crime in Swedish director Magnus von Horn's quietly charged feature debut.
An accomplished, atmospheric debut feature.
Brutally chilling in the banality of its examination of justice and forgiveness. A deeply unsettling film that challenges the empathy it carefully constructs.
The writer-director Magnus von Horn keeps the nature of John's crime a secret from the audience for most of the film, which becomes an increasingly desperate and unlikely device.
There are no featured reviews for The Here After (Efterskalv) at this time.
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