Mary Poppins Returns
Mission: Impossible - Fallout
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All Critics (26)
| Top Critics (10)
| Fresh (20)
| Rotten (6)
This is a parable about modern Iran, and like many recent Iranian films it leaves its meaning to the viewer.
Cinematographer Mohammad Davudi's nighttime shots of jammed Tehran highways help convey the society's dehumanization.
Filmed during the months leading up to the 2009 presidential election in Iran, The Hunter still seethes with fury -- and anticipates the blood that would spill after the vote.
The clammy chill that pervades "The Hunter," the fourth feature film by the Iranian director Rafi Pitts, seeps under your skin as you wait for its grim, taciturn protagonist to detonate.
By the time you realize how stealthy the film's critique has been, you've already fallen right into its trap.
Pitts turns images of everyday urban sights - plaza steps, concrete apartment houses - into reflections of Ali's sense of emptiness and entrapment.
Rather than evoking neo-realism, it recalls some of the thrillers of French director Jean-Pierre Melville, which synthesized American film noir and European art films into a lean hybrid.
What persists in both parts of the film is a snapshot of contemporary Iran with some of the precision, poetry, and despair that Ebrahim Golestan brought to Brick and Mirror in 1965, including the same horror of absurdist bureaucracy.
Though The Hunter aims for tension, it's way off target, hitting tedium instead. A missed opportunity.
Atmospheric, but underwhelming, underwritten and emotionally hollow.
Writer-director Rafi Pitts manages an atmosphere of choked, ambiguous dread that recalls nothing less than Godard's Alphaville.
Moody and rather depressing, it's also haunting and utterly involving right to the bitter end.
Slow paced, economical but gripping thriller with assured photography (busy highways, foggy mountain roads, eerie forests) and sound design. Everything just works.
The Hunter (Persian: Shekarchi) is drama directed by and starring Rafi Pitts. It is a movie which was nominated for the Golden Bear at the 60th Berlin International Film Festival. Before I write about the movie, few words about Rafi Pitts: he was born 1967 in Iran, and spent his childhood in Tehran, where he lived in a basement flat underneath a post-production studio. During the war between Iran and Iraq, in 1981, he fled the country and moved to Britain. There he graduated in 1991 Film and Photography and since then makes movies... mostly not Iranian though... this one is officially listed as a German/Iranian production.
The story of Ali, who was recently released from prison, and now works during the night trying to spend most time possible with his beautiful wife and young daughter, was very engaging and well developed. We find out that Ali likes to retreat to his favourite pastime of hunting in the secluded forest north of town. One day his wife and daughter went missing... Ali finds out that his wife Sara is accidentally killed in a police shoot-out with demonstrators... and he decides to make things "right".
This feature film was recommended to me by couple of RT friends and I finally managed to get a copy of it. It is well developed movie, screenplay doesn't have too many words but says a lot, and acting was superb! Especially when towards the end the three men are surrounded by trees, lost in a maze, a desolate landscape, where the boundaries between the hunter and the hunted are difficult to perceive.
But my problem is to understand: what was the point of all of the events in this movie!?
After reading a review from my friend TheGodfather I quickly went looking for The Hunter and it's certainly worth checking out.
The Hunter is about a young watchman named Ali Alavi who treasures every moment he spend with his family, until one night it's all taken away from him. The plot in general doesn't much dialogue being exchange, but it little dialogue helps draw you into the movie. It atmosphere felt authentic and real while every character felt like a real human being. I find the character Ali Alavi real fascinating, his desire for revenge, his view on life, and the fact he's a loner contribute to the development of Ali Alavi. I enjoyed the writing very much, it's unconventional and unlike most of the movies I see. One scene I enjoyed allot was the chase scene in the fog which was beautifully filmed and had no music playing. In every other movie music would be added to such a scene, but not in The Hunter as it feels real and there is thrills watching a scene like that. The Hunter plot might have little dialogue, but it's huge on it plot.
Rafi Pitts did an excellent job as a director. He knows how to captures certain scenes and convey emotion in it. He knows how to move the story in interesting directions and how to tell one. As an actor, he does everything as it should be done. Rafi Pitts created an interesting piece of cinema that'll be hard to imitate from it grim atmosphere in the forest to the cinematography of it amazing setting. The man is clearly talented and I hope he makes more films in the future.
The Hunter has an incredible atmosphere, fascinating protagonist, and a experience that not many films can offer. If in the mood for something original and gripping, you can't go wrong with The Hunter.
After Ali(Rafi Pitts, who also directed and wrote) is released from prison, he finds the only job he can get is as a night watchman, giving him little time alone with his wife Sara(Mitra Hajjar) and daughter Saba(Saba Yaghoobi). He perseveres nonetheless and treasures every moment they have together. In the meantime, he still finds time for a little hunting in the countryside. On the return from one such outing, he finds them missing. And then the phone call that changes everything...
"The Hunter" is a fine example of economic and terse filmmaking, making good use of its jump cuts to express the passage of time in a nonstop urban society(that apparently does not involve stoplights) that lies in contrast to the peaceful countryside. That's not the only contrast in a country that tries to be so uniform on the surface like Iran(you try and find someone in a country where half the country is supposed to dress alike) where tensions lie just below the surface, just waiting to erupt.
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