The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Kings of Summer is the cinematic equivalent of an Arctic-cold popsicle on a Sahara-hot day. Refreshing and satisfying but not overly sentimental, the film taps into the frustrations of adolescence with warmth and wit.
Director Jordan Vogt-Roberts cut his teeth on network cable series and Internet comedy shorts, and it shows. Instead of developing a genuine perspective he simply repeats the same few stylistic gestures ad infinitum.
Sometimes, a movie just has a magic about it, something that makes you look past implausibility and plot holes and whatever other shortcomings it may have and leaves you feeling good just for having seen it.
Less a movie than a checklist of indiecinema clichés. Youth on a journey of self-discovery? Got it. Dead mom? Uh-huh. Wounded and entitled when it's trying to be soulful, plotless, laden with indie rock and entirely overhyped at Sundance? Checkarooney.
In form and sensibility, the movie is closer to a sitcom. First-time feature director Vogt-Roberts is a veteran of TV, and he retains its preference for the quick payoff and its over-eager pursuit of yuks.
As nostalgic projections of boyish freedom by a couple of thirtysomething dudes, the so-called kings are good-enough jesters, but I couldn't help wishing they would shut up more and let the grown-ups talk.