The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The film is richly rooted, with splendid trappings, including pea-soup fogs. For all the pomp and protocol, it's an intimate story about a scared man who must find his voice if he is to rise, in regal stature, above his epaulets.
Although everything can go wrong with a film before it gets to the casting stage, and often does, a couple of marvelous performances can elevate solid, well-carpentered material and make it something special.
No holiday season would be complete without a starchy British historical drama, and the Weinstein Company obliges us this year with this pleasant story the Duke of York, who had to overcome a serious stammer.
Among many other good things, The King's Speech, directed by Tom Hooper and written by David Seidler, is a meditation on a transitional time when royalty was expected to speak to the nation and not just pose commandingly before it.
Honestly, the thought of George VI flubbing his big moment pales in the larger picture. Via some closing text, we learn that he inspired the nation to strength. But politics is about more than being in fine voice.
A picnic for Anglophiles, not to mention a prospective Oscar bonanza for the brothers Weinstein, The King's Speech is a well-wrought, enjoyably amusing inspirational drama that successfully humanizes, even as it pokes fun at, the House of Windsor.