The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
"The Lords of Salem" presents an even bigger mess than usual. As the film progresses, you get inklings of a plot here and there, but one never wholly materializes, making for an incoherent and extraordinarily dull affair.
Zombie loves taking his beloved spouse and turning her into a demonic witch-Madonna while The Velvet Underground drones "All Tomorrow's Parties." As horror it's not horrifying, but as a valentine to creepshow romance it's almost heartwarming
Rob Zombie has matured as a filmmaker, as witnessed by this well-structured horror shocker, which plays with both historical events and familiar movie imagery to keep us unnerved even if it's ultimately rather silly.
Despite being based on the fascinating events of the 1692 Salem witch trials, The Lords of Salem sadly fails to offer anything exciting, thanks to a weak script, lack of scares and dreadful sound quality.
Zombie's moody shocker finds the part-time singer still floundering to find his voice as a filmmaker while offering clear-cut evidence that it takes more than a deep love of the horror genre to become a great horror director.
Shock rocker turned filmmaker Rob Zombie pits an emotionally fragile radio personality against a coven of undead witches in his fifth feature. The result is genuinely creepy if not jump-out-of-your-seat scary.