The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Sparks-styled romance has almost become its own movie genre - predictable, pure of heart, sentimental and never straying from the boy-meets-girl basics, or the surface, for that matter - and in that "The Lucky One" delivers.
Efron acquits himself reasonably well. Is he sexy enough to make credible a scene where Beth seems to have an orgasm while washing dishes and watching him lift bags of dog food? Maybe not, but, honestly, who could?
The sun breaks through the clouds, you smile through your tears, and your cynicism - even the tiny voice in your head crying out, "Wait, none of this makes any sense!" - is silenced by sweet music and swelling sentiment.
The central love story is well-constructed for what it is; it offers the requisite amount of fantasy with just a miniscule dollop of realism. It's escapism for women and an adequate date flick. Or, to be more succinct, it's a Nicholas Sparks movie.