The Man on the Train (2003)
The Man on the Train Photos
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as Manesquier's sister
as Burly Guy
as Radiologist Nurse
as Operating Room Nurse
as Tough Guy's Friend
as Bank Manager
as Bakery Salesgirl
as bank manager
Critic Reviews for The Man on the Train
Each actor comes to perfectly embody his character.
Patrice Leconte's fanciful odd-couple drama oozes flavorful, provincial atmosphere.
Under Leconte's artful direction, a believable bond develops between the men, each envious of the direction the other's life has taken.
It is a perfected fable flashing across a screen.
The actors couldn't be more perfect.
Audience Reviews for The Man on the Train
Nice very nice. A very interesting switcheroo with some genuinely good comedic elements.
A very delicate film, but it works.
[center][font=Arial][color=darkred][img]http://img126.imageshack.us/img126/4116/photo016pn.jpg[/img][/color][/font][/center] [font=Arial][color=darkred][/color][/font] [font=Arial][color=darkred]A dark stranger gets off a train in France. He has piercing blue eyes and a weathered face with a machine-like expression. This man is Milan (Johnny Hallyday) and he’s stopping by this small French town for a new job. Oh, Milan’s business is robbing banks. In this small village he befriends a garrulous retired poetry teacher, Monsieur Manesquie (Jean Rochefort). The two men spend their time wishing they had the life of the other. Milan openly seeks a comfortable life surrounded by books. Monsieur Manesquie is a huge fan of Clint Eastwood movies and longs for some action in his life. He secretly dreams of one day robbing a bank just for the fun of it.[/color][/font] [font=Arial][color=darkred]So, an interesting start for a film, right? Sure. But this IS the movie. ‘The Man on the Train’ is a middling character experiment. The two men rub off each other, with Milan teaching a young boy the wonders of poetry, and Monsieur Manesquie learning how to properly fire a gun. The scenes are nice and both actors are splendid (especially French rocker Hallyday) but the film is one long muddled and meandering trip until our inevitable climax. The ending feels needlessly open-ended and a tad clumsy. There’s also a subplot featuring a young mistress for Monsieur Manesquie that sticks out like a sore thumb.[/color][/font] [font=Arial][color=darkred]‘The Man on the Train’ is a well shot and well acted film but it only feels like the first half of a movie. I’m sure plenty of people out there will appreciate the character nuances and small moments, but this is a film completely driven by small moments that never add up to anything larger. Maybe ‘The Man on the Train’ just isn’t for me. Or maybe I need to just wait for the second half, if it ever gets made.[/color][/font] [font=Arial][color=darkred]Nate's Grade: C+[/color][/font]
The Man on the Train Quotes
|Milan:||We get more precious as the years pass, you see.|
|Manesquier:||Many people talk a lot of rubbish. I think we agree on that. As soon as they write it down, it becomes gospel truth.|
|Manesquier:||I have always wanted to be a silent onlooker.|
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