The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
[Director Paul Thomas] Anderson has taken whatever he needed from the early history of Scientology. . .to create an intimate epic of irrational need, an inner history of cultish transactions reconfigured as a sorrowful and distinctively American poem.
Admirável ao permitir que o filme desenvolva seus temas e personagens ao seguir em direções frequentemente inesperadas, Anderson continua a demonstrar seu talento como cineasta tanto pela maturidade de seus temas quanto por seu preciosismo estético.
Refusing to wrestle with the veracity or the real implications of The Cause, one begins to question what is underpinning the entire exercise, an ambiguity that, as with Kubrick, will require multiple viewings to unravel.
In the end it may not have the emotional uplift the Academy or a popular mainstream audience craves, but make no mistake, this is an enthralling drama about a peculiarly American restlessness, and the striving for insight and grace.
THE MASTER is a brilliant film. THE MASTER is a confounding film. The Master is a terrible film. THE MASTER may talked about for the ages or forgotten in a few years. THE MASTER may be a masterpiece, THE MASTER may be empty of content...