Da 5 Bloods
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I May Destroy You
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Todos pasamos por algo similar al buscar trabajo y cuando pasan cosas raras en los trabajos. 4 stars
It's a lot to ask of Vincent Lindon to carry this whole film, but he does his excellent best with a story in which we find precious little out about him, really, other than that he accepts his lot with a certain amount of stoicism, while the people around him remain fairly opaque to us. The clearly largely improvised script is delivered convincingly on the whole, but the attempt to give us an 'insight' into the way capitalism divides us is a bit fluffed and has been done better before. Nowhere near as good as Mademoiselle Chambon, a true classic of this observational genre.
Extremely slow and meticulous, but totally realistic.
This Cannes-winning sociological drama gives a discerning gaze with fly-on-the-wall long takes on the adversities braved on by a stoic French unemployed everyman and his painful moral dilemma on the other side of the fence in his later employment as a supermarket security guard.
A tale of the modern day job hunt.
French films are the second most I watched apart from the English language films. It's mainly because of the quality of their products. They won't put big sum on some superhero film like the Hollywood, they give preference to storytelling and the characters which I love even in a slow pace narration. Anyway, you would be tired of listening to what I'm going to say that I always love French and Japanese films, mostly the drama films. This is the latest one I saw that I did not think of giving it a try after the average reception, but once I watched I realised how much underrated the film was.
This is like another 'Two Days, One Night', but a bit touch of 'The Pursuit of Happiness' with the limited sentiments. There's no comparison with any other titles, except the similarity in themes. You can call it a docudrama, because it was very realistic that you won't feel like you are watching a film. Especially not for an entertainment purpose. If you are so, then stop there and try other flick. This could resemble your life, at least some way if you ever struggled to get an employment after getting released from the previous job. I am not talking about the freshers or the youngsters, but in between the jobs, mostly the middle-aged and less qualified men's perspective.
The modern world belongs to the young blood. Being somewhat old and not skilled with today's technologies is a big excuse to exclude from the employment world. That leaves to get one from the smaller wages. Such film is this one which focused on the man called Thierry who was looking for any job for the last two years. His family is small with a wife and a handicapped son. Financially struggling Thierry decides to get a loan from the bank and try to sell his mobile home to meet the expenses. Finally, he ends up in a supermarket as a security guard and follows his new way of struggle against the reality of the world where crime and compassion overlap.
"A shoplifter has no age or colour. Everybody is a potential shoplifter."
I was desperately looking for some entertainment to relax after the tired day. I jumped on this, and initially it took time to launch into the main storyline. It begins with Thierry having conversation with his old colleagues about the options and if there is any legal solution for his old job. This is the film where pictures, as well as lines carefully watched and listened respectively to understand the intention of such film to be exist. The every word spoken in the film were not like any other films, but it was like real life dialogues between two or more people that we the audience listening them from somewhere around the corner. That's why I compared it with documentary.
This is the third film for Vincent Lindon with the director and the best one. The last time I saw him was in the 'Bastards' that I did not like. Surely the best of him after 'Welcome'. He won a few best actor awards for his role in this film, including one at the 2015 Cannes. The film was all about him. He as Theirry was the soul of the film. People start to recognise the actors since they saw them in one of their best performances and now I for Vincent Lindon through this film.
Obviously very slow at the beginning, but once you start to feel you know enough about Thierry, it gets more interesting. Particularly the final act was impressive. It points out how narrowly our society was built where you can't escape the disappointment if you are a sensitive person about the actions that entirely depends on the situation whether its good (empathy) or bad (crime). This film is everything. You can call it a self-discovery or truth finder, but well detailed about the modern day job hunt by an average person. Even if he gets one, does it stand up to his moral dimensions? Because some people mind what they are doing, even though getting it after a desperate attempt.
Like I said I saw it in a wrong circumstance, but I did not fail to recognise fineness of it. This is one of the best drama films I have seen, especially in the recent times. If you are looking for a realistic portrayal film, this is the one. It might be an under- noticed film today, but the time will come when people look back on this decade for how the lives and society evolved, then this little precious film will impact greater which depicted exactly what's happening right now. What I meant was some films are not meant for the present, despite all the films are made for the present!!!
It could have been good. It SHOULD have been good, what with Lindon portraying the average, everyday man so efficiently, and the theme being not only current but timeless enough to hit home with all ages, races, and genders.
Unfortunately, it falls short in its delivery, with the documentary-style of filming providing no progression of the story what-so-ever. Misrepresented by the translation of the title and the tagline, this whole endeavor falls into the amateur instead of the mature; thankfully, not missing the point but by actually making none.
A wonderful alternative for the unconvinced would be Two Days, One Night. On point both thematically and performance-wise, with the added bonus of not cheating you out of quality plot development -- or your precious time.
What a terribly boring movie. Not a single thing happens of interest. There is simply no value here, watching paint dry is equally interesting.
I get the message and I understand it's relevancy, but Brizé presents it in a rather underwhelming, unconvincing fashion.
very personal take on the results of an increasingly inhuman economy...