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All Critics (16)
| Top Critics (4)
| Fresh (16)
| Rotten (0)
The smallest details (a stammering child, the wrinkle in the turned page of a book) stick like burrs, and we are left to wonder if any director has delved with more modesty and honesty into the heartbreak of the past.
No tidy resolutions, no easy steps from here to there. But what The Mirror lacks in simple logic it makes up for in satisfying emotions.
Tarkovsky goes for the great white whale of politicised art -- no less than a history of his country in this century seen in terms of the personal -- and succeeds.
Mirror, a new film by Andrei Tarkovsky, the controversial and unorthodox Soviet director, is delighting, puzzling, disaping serious Muscovite movie enthusiasts.
Its imagery and mysticism have by no means lost their power to astound.
[D]eeply, sometimes abstrusely impressionistic... What's real and what isn't, what's past and what's present is difficult to untangle... [O]ften seductively beautiful to look at...
The Mirror deserves a big-screen viewing, with its smorgasbord of memories in dream, drama and newsreel form from the life of a dying poet.
There isn't a scene here which isn't strikingly shot and the final impression is of something personal, mysterious and yet frequently profoundly resonant.
Yes, it sounds like hard work. But Tarkovsky gets away with the doleful pace and elusiveness thanks to one thing -- his breathtaking eye for simple, stunning beauty.
It's an awesomely simple idea, and yet hugely complex.
It is a film that is difficult to adequately describe -- and one I believe is impossible to process in one sitting.
Made in the tradition of Resnais and Bergman, The Mirror, Tarkovsky's personal meditation about his childhood, scandalized Soviet authorities with its self-reflexive tone and poetic visual style.
Exquisite picture from start to finish, I found myself thoroughly captivated by this picture. Tarkovsky uses images and atmosphere to really tell a compelling story, and he does that so well that you forget that the plot is so simple because what you are watching is very good and well directed. The story is nothing remarkable, but the way that Tarkovsky tackles the subject is absolutely unique. There is no doubt that he is one of cinema's finest filmmakers, because every one of his picture are very well crafted with riveting, engaging storylines and brilliant performances that only helps in defining his work even more. For fans of cinema, The Mirror should be a must see, as it is a superb film that is like watching a journey unfold before your eyes. The power of Tarkovsky's work is more visual than anything, and he is able to make something truly standout just by delivering a film based on striking images that stays with you after the credits roll. His work is somewhat polarizing and with good reason, he is an ambitious talent that always sought to crafts a film that stood out but more so in a visual sense. His pictures tend to be art in a sense, very much like Stanley Kubrick, and he tends to push to envelop in a way that brings out the best in his work. He always used simple ways to tell his stories, yet he always managed to deliver something quite special because his films always dealt with interesting subjects that stood out in the cinematic medium. The Mirror is a terrific drama that is engaging from start to finish, and if you enjoy Andrei Tarkovsky's films, you'll surely love this one as well.
SO bad I turned it opff after 40 Min . 1/2 star
a gorgeous piece about time and memory, very densely layered. don't think too much is my advice. i prefer it over tarkovsky's other films. tho almost plotless, it's never boring
A beautifully poetic and enigmatic Tarkovsky art film. It's either his greatest masterpiece or his greatest head-scratcher. Maybe both. Utterly unforgettable.
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