The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Alan Polsky and Gabriel Polsky propel the material in a way that can feel over-determined. But they grasp the eccentricities and desperation of fringe dwellers, and at its strongest their atmospheric film has the pull of a sad outlaw song.
We have seen many films about losers on the run, but in the directorial debut of former Chicago siblings Alan and Gabe Polsky, we get an intriguing new take on brotherly love not only gone wrong, but clearly hopeless from the beginning.
This independent drama effectively captures the spirit of much contemporary fiction: the tone is at once precious and stark, and the narrative drifts from one episode to another (and from realism to fantasy) as though it were playing out in a dream.
Recalling characters from a Bukowski novel or Tom Waits song but with less complexity, the brothers are endowed by their creators with little agency, not doing much except lamenting the sorry state of their lives.