The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Perks seems like the work of a much more experienced director, maintaining fidelity to the source material without sacrificing any cinematic qualities, triggering genuine sentimentality and nostalgia through interaction between sound and image.
Stephen Chbosky's script is insightful about the exhilaration of soul-piercing first love, and the misery of being swept into a relationship with someone who's forceful, determined and utterly wrong for you.
Verbal play and smartass-ery weaves through Wallflower, but it's of the predictable variety rather than the wryly observant commentary we'd hope for, like when a bored teen drawls: "That works on so many levels."
While there are humorous and poignant moments, this angst-filled story of tender kisses, awkward dances, friends drifting apart, kindly English teachers, unrequited crushes and drug-addled partying has a nagging sense of deja vu.
Perks deserves points for going beyond the typical coming-of-age drivel aimed at teens. Logan Lerman excels as Charlie and Emma Watson makes a dream girl to die for, but the movie is stolen, head to tail, by Ezra Miller.
You can feel Chbosky's blood, sweat and tears oozing out of this highly personal project, but that holy trinity of fluids isn't enough to wash away the sense that you've seen this before-many, many, many times.
It's all frightfully familiar - as if teens sitting around the campfire need to be told the same story every night - until the last 15 mins., when this Cocoa Puffs movie reveals an underlayer of arsenic.
Chbosky plays this CW serial stuff for maximum earnestness, stressing the teenage tendency to assume that every new thing they're feeling is unprecedented in human history, keeping the tone just-moist-eyed throughout.