The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
As an Oscar winner for The King's Speech (2010), Firth has nothing to prove. But this is a performance which he might eventually consider to be his finest, speaking volumes for men who quietly carried the burdens of evil on their shoulders.
Colin Firth delivers another of his masterly portrayals of stiff-upper-lipped emotional reserve, but his character's stuffy reticence means that it is all the more powerful when he eventually reveals the depths of hurt left by his harrowing experiences.
For all its classic-era echoes, the structure of The Railway Man with its nightmares, flashbacks and even outright fantasy scenes is fairly modern, making the film much more than an exercise in 'making them like they used to.'
The romance and marriage of [Nicole] Kidman's and [Colin] Firth's characters are too quick. His dementia is abrupt. The finding of the Japanese tormentor seems too easy. The retribution, while moving, seems a bit pat.
The critical problems are an overbusy time-jumping script and reliance on the conventions of the trauma drama - flashbacks, fragmentation, distorted time and space - that prove more a barrier than a window into the character's inner lives.