A muddled, directionless splatter of concert footage, studio ciné-verité, music-video abstraction and Haitian/Jamaican travelogue exotica that aspires to mythmaking but instead strangles itself on its own self-indulgence.

Kahlil Joseph's concert film profile of Arcade Fire is a disorganized mishmash.

Your enjoyment may vary, of course, depending on how seriously you take Arcade Fire's music: If you take it as seriously as the band does, this art project cum electronic press kit might resonate. For everybody else, it'll likely feel unfinished.