The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
To make a protagonist this blank engaging, a filmmaker needs the artistry of Jean-Pierre Melville, or the kineticism of William Friedkin. The Robber's writer-director, Benjamin Heisenberg, has neither.
This overall orchestration of The Robber as a kind of cinematic device for marking contrastive states of existence is, crucially, mirrored in Rettenberger's own formalistic attitude towards his own existence.
Bleak and yet exciting, a fascinating character study built around a pretty unpleasant "hero." If Hollywood could find a star willing to get in spectacular cardio-vascular shape, a lean-mean running machine, I could certainly see a remake...
The action is breathlessly dazzling. Though re-setting the real life story in the generic present likely robbed this pungent tale of its original meaty context. Unlike say, Katheryn Bigelow's 1991 more subversive surfer to stickup spin, Point Break.