The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The reenactment is ugly and affecting, attention shifting from member to member among the excellent ensemble cast; Tim Talbott's script is streaked with an awareness of privilege that a lesser movie would have neglected.
The scariest part is that viewers vicariously become Dr. Philip Zimbardo, hotly anticipating what happens next before coming to their senses realizing how inhumane this is, how far it has gone, and that it needs to stop
Cranking up the tension by gradually moving his camera in closer and closer to his actors, Alvarez smartly shrinks the distance between them and us in order to intensify the what-would-you-do? discomfort the experiment was designed to explore.
The convicts are like actors trapped on a set, their awareness of a line between this-is-just-an-experiment and playing power-games dissolving. Zimbardo comes off as a Faustian fiend; the film itself glitters and glares a bit too simply and devilishly.