The Tower (2012) - Rotten Tomatoes

The Tower (2012)




Critic Consensus: No consensus yet.

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Movie Info

Lee Dae-ho is a single father and manager of the 120 story luxurious landmark building complex, Tower Sky in Seoul. He is an earnest employee liked by his colleagues and is secretly in love with Seo Yoon-hee, a restaurant manager. The owner of the complex, Mr. Jo decides to hold a "White Christmas" party for tenants and VIPs on Christmas Day, with helicopters circling above, sprinkling snow onto the party. Whilst the party is in full swing one of the helicopters crashes into the building and the building catches fire. Dae-ho moves quickly to save his daughter Ha-na, Yoon-hee and his colleagues.
Action & Adventure , Drama
Directed By:
Written By:
In Theaters:

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Sul Gyung-gu
as Young-ki
Ye-jin Son
as Yoon-hee
Mina Cho
as Hana

Critic Reviews for The Tower

All Critics (5) | Top Critics (3)

Kim Ji-hoon overdoses on visual fireworks in a way that smothers any human drama mustered by the sprawling cast, whose marquee names are treated as mere icing on the cake.

Full Review… | February 1, 2013
Top Critic

"The Tower" may be skillfully executed as an effects-laden opus, but its miniature portraits in courage are ultimately too jerry-built to feel like anything but filler between the combustive set pieces.

Full Review… | January 10, 2013
Los Angeles Times
Top Critic

Even at its best, The Tower is beholden to unearned emotional payoffs.

Full Review… | January 10, 2013
Village Voice
Top Critic

Don't look for character development or deep meaning, but THE TOWER is a real roller-coaster ride.

Full Review… | February 14, 2014
Mark Leeper's Reviews

There are exploitation films and then some, but this Korean twin-tower disaster epic takes the cake for callously evocative imagery and sentimental schlock.

Full Review… | January 11, 2013
Film Journal International

Audience Reviews for The Tower


A disaster movie that is a bit too similar to the 9/11 attacks. This pyrotechnic extravaganza is light on plot and character development, but the action sequences with the fires and the floods keep your mind off nonsense like that. The acting is okay, except I didn't care for the young actresses ability much. This gets the adrenal glands working, which is what disaster movies are supposed to do.

Don Schick
Don Schick

It's The Towering Inferno meets Backdraft. The Tower is a little predictable and a few scenes ran a little too long, but this Korean disaster film is a gem with some of the best firefighting action since Backdraft.

Ted Nguyen
Ted Nguyen

This is what happens when Korea tries its own version of The Towering Inferno, except it's far more melodramatic and, thankfully, much shorter than The Towering Inferno. I think the set-pieces and the effects are well-done, but this takes precedence over actual character development. The first 30 minutes of the film consists of introducing the characters and showing them as happy as is humanly possible in lieu of actually giving them fully formed personalities. I'm assuming this was done in the hope that seeing them so happy would, in turn, help you care more for them during their ordeal. It didn't work, of course, because everything before the helicopter crashes is so perfect and happy that you just kinda hope that the disaster happens quicker. I really was sickened by this happy, sentimental set-up. It was way too sugary and phony for my tastes. How about you actually give these characters personalities before you expect me to care for them? With a large cast such as this, I realize this is easier said than done. In that case, take out characters you don't really need and choose to focus your story on a more contained, small group of people. By focusing on such a large cast of characters, you really don't care for anybody. And, again, I don't care how sad your score is, that isn't going to make me care for characters that I know nothing about. I realize every country has this, but I've noticed it the most in Korean films. And I say this as a man that loves Korean cinema, but a lot of their movies rely on melodrama and sentimentality to get their point across, rather than actually creating interesting characters. You usually see this in their comedies. Sometimes these melodramatic aspects come out of nowhere, like literally out of nowhere, just so they have some drama in their movie. And I'm sick and tired of it. This film isn't as bad as the worst of them when it comes to sentimentality, but it's still there. They're trying to manipulate you and I just can't stand it anymore. There's only one legitimately interesting character in the entire film, and that's the captain of the firefighters that go in the building. He was pretty much a heroic badass. He has this little "subplot" of where he's trying to save his marriage, and the night the helicopter hit the tower was actually a night where he had already finished his shift, and he also had the next day off, so he had more motivation than most to get out of the tower alive. I did think he was the only interesting character in the film, and the one you care most about. And there's a poignant little scene at the end reminding you of the "sacrifice" he made. The movie really is average at best, the disaster stuff is perfectly fine and well-shot by my estimation, but the story is absolutely preposterous and sometimes nonsensical. I think most people will certainly like this movie more than I did. It had its moments but its overly sentimental set-up AND payoff really did a number on my enjoyment of the film. This isn't bad, it has a good cast, as most Korean films do, but the movie is definitely lacking.

Jesse Ortega
Jesse Ortega

Super Reviewer

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