The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Steve Reeves gives the most dramatically demanding performance of his career (and a surprisingly good one) in The Trojan Horse. Essentially a retelling of the final year of the siege of Troy from the point of view of Aeneas (Reeves), the movie is filled with fascinating portrayals. Aeneas, taking the interpretation from the poet Virgil, is the wisest of the Trojans and, after ten years of war, has become the leading advocate for finding an end to the fighting. His wisdom and nobility have earned him a place at the table with King Priam and the other rulers, which puts him at odds with the vain, jealous Paris and his Helen. Opening with the slaying of Hector by Achilles, the film is steeped in complex personal relationships and mythological conceits. John Drew Barrymore is the other "name" actor here, playing Ulysses as a clever, cynical, and bold warrior among the Greeks. Reeves brings real nobility to Aeneas and relies on his acting skills as much as his physique to bring off this movie, often mixing the two in a script filled with ironies, as when Aeneas must kill a Greek warrior for whom he earlier expressed respect. Along with Reeves' two Hercules films from the end of the 1950s, and Vittorio Cottafavi's Hercules and the Captive Women, this is one of the best examples of Italy's sword-and-sandal genre.