The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Ohlsdorfer and his daughter are incidental, elements in a landscape, unable to affect it or their fate, no matter their puny efforts to maintain routine, perhaps the most alarming sign of their so-called civilization.
Tarr says this is his last movie. And it feels like it. After you've ended the entire world, not with a giant planet collision like Lars Von Trier did in Melancholia but by simply shooting out the lights, what else is there?
The film is stunningly shot by Fred Kelemen, whose camera snakes around the one room interior of the humble home of 58 year-old cab driver Ohlsdorfer (János Derzsi, with a face Albrecht Dürer would have loved) and his daughter...