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Stylish but muddled, this misbegotten adaptation of Henry James' classic novel will send horror-hungry viewers Turning to the source material instead.
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All Critics (90) | Top Critics (17) | Fresh (11) | Rotten (79)
"The Turning" announces Sigismondi as a bold and adept genre filmmaker, with an eye for detail and impeccable casting choices. January 27, 2020 | Rating: B | Full Review…
"The Turning" announces Sigismondi as a bold and adept genre filmmaker, with an eye for detail and impeccable casting choices.
Jude Dry
The Turning doesn't make you feel like you've watched a failed adaptation of a horror-lit landmark. It just leaves you feeling totally screwed. January 25, 2020 | Rating: 1.5/5 | Full Review…
The Turning doesn't make you feel like you've watched a failed adaptation of a horror-lit landmark. It just leaves you feeling totally screwed.
David Fear
It proves harder still to discern the message in that abrupt ending. Yes, it's commendable to find new ways to tell a classic tale. It's just that this tale has been told better, and more clearly, many times before. January 24, 2020 | Full Review…
It proves harder still to discern the message in that abrupt ending. Yes, it's commendable to find new ways to tell a classic tale. It's just that this tale has been told better, and more clearly, many times before.
Jocelyn Noveck
The Turning suggests the devastation that can linger as a result of childhood trauma, and its players seem game to go deeper, but ultimately the film only scratches the surface of this thorny subject. January 24, 2020 | Rating: 2.5/4 | Full Review…
The Turning suggests the devastation that can linger as a result of childhood trauma, and its players seem game to go deeper, but ultimately the film only scratches the surface of this thorny subject.
Christy Lemire
Only The Florida Project's Brooklynn Prince makes it out of the proceedings unscathed. She brings a playful naturalism to the dark imp Flora. If she keeps it up, she's this generation's Margaret O'Brien. January 24, 2020 | Rating: 0.5/4 | Full Review…
Only The Florida Project's Brooklynn Prince makes it out of the proceedings unscathed. She brings a playful naturalism to the dark imp Flora. If she keeps it up, she's this generation's Margaret O'Brien.
Oliver Jones
Everything is very ham-fisted and crass, with nothing like the ambiguous shimmer of the original story or the style and elegance of the 1961 Jack Clayton film version... January 24, 2020 | Rating: 2/5 | Full Review…
Everything is very ham-fisted and crass, with nothing like the ambiguous shimmer of the original story or the style and elegance of the 1961 Jack Clayton film version...
Peter Bradshaw
An absolutely abhorrent ghost story... February 17, 2020 | Rating: .5/4 | Full Review…
An absolutely abhorrent ghost story...
David Nusair
'Turning' is incomprehensible spin on 'Turn of the Screw.' February 16, 2020 | Rating: 1/4 | Full Review…
'Turning' is incomprehensible spin on 'Turn of the Screw.'
Linda Cook
This pedestrian ghost story plods along in a vaguely competent manner until a thoroughly muddled ending makes the whole experience pointless. February 11, 2020 | Rating: 2/5 | Full Review…
This pedestrian ghost story plods along in a vaguely competent manner until a thoroughly muddled ending makes the whole experience pointless.
Richard James Havis
There's a lot of these bump in the night moments though, each one less original than the last. February 6, 2020 | Full Review…
There's a lot of these bump in the night moments though, each one less original than the last.
Chloe Leeson
If there's any redemption here, it's in the children. February 5, 2020 | Rating: 1/5 | Full Review…
If there's any redemption here, it's in the children.
Richard Whittaker
A thoroughly decent, classically structured haunted house chiller hampered by an extremely ill-conceived ending that undermines much of the goodwill built up by Sigismondi's hauntingly elegant direction. February 1, 2020 | Rating: 2.5/4 | Full Review…
A thoroughly decent, classically structured haunted house chiller hampered by an extremely ill-conceived ending that undermines much of the goodwill built up by Sigismondi's hauntingly elegant direction.
Matthew Lucas
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