Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (20)
| Top Critics (1)
| Fresh (14)
| Rotten (6)
Intriguing but ultimately underwhelming.
The only elements of The White King that prevent it from being an unmitigated failure are a striking visual aesthetic and solid production values. However, these do not prevent Alex Helfrecht and Jorg Tittel's venture being one to miss.
The White King is an impressive feature debut...
The White King is a bold and brave piece of filmmaking that embraces film as an incomplete form. The ideas are presented in such a way that they require the engagement of the audience.
The story exudes natural confidence in its execution of that tension. It knows exactly when to pull you in and push you back.
The makers have clearly thought about what a future reversion to twentieth century-style tyranny would look like, and the design, anthems and details all ring true.
It's an impressively realised world; the "Homeland" is an agrarian totalitarian state in which any form of dissent is quashed by jackboot justice.
The White King never quite fulfils its initial promise as a dystopian young-adult adventure set in a future police state.
This chilling undertone keeps the audience gripped even when the story seems to spin its wheels.
The White King is a respectable first feature, but one that would have benefitted from refinement and nuance - a good few moves behind the best films in the genre.
The White King only springs to life when Pryce is on screen, which isn't often.
An intriguing, sombre work.
We see a new world order that brings its society back to the soil, damning technology, applauding the simple life. This totalitarian world parallels Hitler's pride, where the community stands for hours in grocery lines, eat bread and watered soup if they don't have connections with the higher ups, and wear their only 2 or 3 outfits if they haven't contributed to the recent revolution. Twelve-year-old Djata, who tells the story, gets a glimpse of a technically advanced wealthy world full of crowded highways and gleaming skyscrapers, where food and wealth are in abundance. I find it interesting where the technical world is put in a higher light. What a switch!
There are no approved quotes yet for this movie.