The Words

The Words Photos

View All Photos

Cast & Crew

Bradley Cooper
Rory

Jeremy Irons
The Old Man

Dennis Quaid
Clay Hammond

Olivia Wilde
Danielle

Zoe Saldana
Dora

Nora Arnezeder
Celia

J.K. Simmons
Rory's Father

Michael McKean
Nelson Wylie

Ron Rifkin
Timothy Epstein

Brian Klugman
Director

Lee Sternthal
Director

Brian Klugman
Screenwriter

Lee Sternthal
Screenwriter

Michael Benaroya
Producer

Tatiana Kelly
Producer

Jim Young
Producer

Laura Rister
Executive Producer

Cassian Elwes
Executive Producer

Lisa Wilson
Executive Producer

Bradley Cooper
Executive Producer

Antonio Calvache
Cinematographer

Leslie Jones
Film Editing

Marcelo Zarvos
Original Music

Michele Laliberte
Production Design

Simonetta Mariano
Costume Design

Eyde Belasco
Casting

Show all Cast & Crew

News & Interviews for The Words

Critics Consensus: The Words Doesn’t Know What To Say

Rotten Tomatoes Radio: Episode 14

Total Recall: Liars, Hoaxers, and Frauds

---

View All

Audience Reviews for The Words

• Jun 09, 2014

  "The Words" starts with Clay Hammond(Dennis Quaid) reading from his latest novel that begins with an old man(Jeremy Irons) in the rain. But for the time being the story is more concerned with Rory Jansen(Bradley Cooper) who has just won a literary award. Of course, success did not come easy, as he faced perennial rejection from publishers and agents, having to borrow money from his father(J.K. Simmons) on more than one occasion. So, eventually Rory gives up after a fashion and gets a real job and marries his girlfriend Dora(Zoe Saldana). After which, they decide to honeymoon in Paris. "The Words" is a good look at the randomness of success.(Otherwise, we already knew that writers are a bunch of egotistical bastards.) But unlike a lot of other movies, this should have been longer in giving more depth to some of the characters, especially Dora. Otherwise, the first two acts set up an intriguing story. It's the third act where the movie in trying to answer every conceivable question starts to break down. Now whether that's the movie's fault or Clay's fault is up for debate.(That flirtation with meta weirdness I think saves the movie from itself.) What's not up for debate is Jeremy Irons' weird performance as just past the age of 60 he ironically has no idea how to play an old man. However, I would like to go on the record and say I would pay good money to hear Dennis Quaid read from the phone book.
  Super Reviewer
• Nov 17, 2013

  The film was good but could have been so much better. I love the style of the film of a story within a story structure. I do like that they create a puzzle hear for the audience to put together, however, my problem with the film is the ending. The ending was a huge disappointment. I felt like the film was building up to a huge revelation about how all the characters are linked together and the ending was like a curveball. The ending raised more questions than answering any of them. The acting was good. I thought Bradley's character reminded me too much of his character from Limitless.
  Super Reviewer
• Aug 08, 2013

  The ability to write should be first among the qualifications required to write a movie about a writer... but all through this film, all I could think was, "No one involved with this film has ever written anything!" And the attempt to lean on narration - it's like the book you're reading! - falls completely flat, as it's never quite clear who is supposed to be narrating, or (of course) who would read a book were it this badly written. I'd recommend You Will Meet a Tall Dark Stranger well before this one, which has a similar plot but comes from Woody Allen, who may have written a thing or two before the present movie. I really like the premise, and the talented cast does its best with this disastrous script, but unfortunately The Words is much more about the idea of being a writer than it is a believable story of anything a writer might think/want/do.
  Super Reviewer
• Jul 25, 2013

  There is virtually nothing that works in this convoluted, nonsensical and terribly-written drama in which not even the visuals escape the artificial and clichéd, and so everything is a complete failure, from the expository narration to the ridiculous story-within-a-story-within-a-story structure.
  Carlos M Super Reviewer