The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
[The World's End] soon turns from this not-quite-nostalgic focus to one more like Pegg and Edgar Wright's first two Cornetto movies, which is to say, a melding of well-known genres in order to spoof them.
The World's End marks the third part of Pegg and Wright's self-described "Cornetto trilogy." It's an appropriate moniker. With this final film they've slowed down a bit, grown up a lot. And saved the richest bite until last.
here's an engaging chemistry between the five boozers, while the surprise cameos, early 1990s indie soundtrack, zany violence and visual effects add to a self-aware, matey romp that slips down a treat.
The film suffers due to Pegg's wearying, laddish performance, which comes off as simply obnoxious: Imagine Jim Carrey at his most manic, throwing his arms out wide as if appealing directly to the audience for a laugh.
Until it bogs down in multiple endings that could have been trimmed or even dropped, it operates as a surprisingly piercing metaphor for everyone's central fear while facing middle age, that of being replaced.