The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
A quarter-century (and, one senses, a lot longer in Rourke Years) since he pulled the popcorn-bag trick on Carol Heathrow and then talked his way back into her good graces, we'll still forgive Mickey Rourke anything.
Savour one of cinema's rawest talents finally powerslamming his way to glory and be grateful that Aronofsky dragged himself off the ropes on countless occasions to convince the money men to finance the movie with such a seemingly unbankable lead actor.
There was no character to root for more strongly in spite of himself in 2008 than Randy the Ram, and "The Wrestler" spat and bled his physical poetry - an elegy of emasculation and exhaustion building, in its final shot, to all the exhilaration he needed.
Whatever mistakes and indignities and turmoil led Mickey Rourke to where he is now, whatever demons have plagued him -- they all lead to the 1 hour and 55 minutes of magnificence that is his performance in' The Wrestler.'
Despite the low-tech feel, The Wrestler is very tight and disciplined. The score is spare but effective, nothing is wasted in dialogue or action, and the fight choreography and stunts are incredible. Rourke is phenomenal.