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Critics Consensus: Thelma plays with genre tropes in unexpected ways, delivering a thoughtfully twisty supernatural thriller with a lingering impact.
Critic Consensus: Thelma plays with genre tropes in unexpected ways, delivering a thoughtfully twisty supernatural thriller with a lingering impact.
All Critics (140) | Top Critics (24) | Fresh (129) | Rotten (11)
The scary moments are there, but they take patience. And then they take you by surprise.
"Thelma" treads the line between the psychological and supernatural, gracefully at first, and then with increasing abandon.
As a hushed, haunting portrait of a young woman reconciling daughterly duty and her own incipient power, "Thelma" feels like a stylish, timely allegory for the present moment.
It's chilly in Oslo, and in this movie; the better to sneak up on you quietly, like an unexpected shiver.
Trier has found a new way to depict and talk about these emotions and experiences that most human beings know and can never really get over. His way is cold, deadpan, extreme, and very Scandinavian, and it's effective.
"Thelma" is tense, thoughtful and beautifully composed ...
[A] brilliant meditation on one young woman's discovery of the wants she has stifled for so long.
Trier (and his co-writer Eskil Vogt) thoroughly and skillfully align supernatural powers with queer discovery (particularly that of a young woman) in unexpected ways and do so without ruining the film with male-gaze shots.
Both a psychological thriller and a supernatural horror, at first glance much in "Thelma" sounds familiar - a teenage girl, extreme religiosity, sex, inexplicably smashing windows, a snake - but they never feel like tropes.
This odd, disturbing film is visceral but ultimately unsatisfying.
Joachim Trier's supernatural drama is a moving allegorical tale, that feels more human than its genre-tinged narrative might suggest.
Horror allows Thelma to work with the history queer people have been dealt; the genre never requests an apology for yesterday's transgressions, but it might seek reparations by giving the viewer a few spooks.
Such small emotions. Such large repercussions. Part Carrie, part Moonlight. Thelma explores our deepest desires and the expectations of the world that don't often align. This is all tone and Norwegian director Joachim Trier nails exactly what he was seemingly aiming for.
Super Reviewer
Though it may seem at first like an unoriginal combination of Carrie and Blue Is the Warmest Color, Thelma is a haunting and sometimes pretty tense film centered on a young teenage girl from a strongly religious family struggling with her sexual impulses and desires.
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